Thor: The Dark World has pushed Disney back into first place in the worldwide box office race, pushing Warner Brothers back into second place and Universal into third. For a complete ranking of 2013 films by worldwide performance click here. TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release films in North America (those that play on […]
OPENINGS: AS ABOVE/SO BELOW (Universal) and THE NOVEMBER MAN (Relativity) are both quietly making their way to oblivion with $8.3 and $7.7M weekends (each may add $1.5-2M on Monday). November Man, with its older audience, may hold up a bit better over the longish term, but neither picture is likely to get above $25M in […]
OPENINGS: With a $10M production budget (and tens of millions in marketing on top), the $10.6M weekend for SINISTER 2 (Blumhouse/Gramercy/Focus/Universal) will test Blumhouse’s ability to make money out of just about anything. The opening is far below the $18M start for 2012’s Sinister, and its US total won’t be near the $48.1M gross […]
OPENINGS: After Cloudy With a Chance of Meatballs, 21 Jump Street, and now THE LEGO MOVIE (Warners), writer/directors Phil Lord and Christopher Miller will be able to do just about anything they want: all 3 of their projects have not only been smash hits, but they’ve greatly overperformed expectations, spawning 3 new franchises in […]
WORLDWIDE STUDIO SCORECARD. The studio rankings remain unchanged, and #1 Fox continues to do well, thanks to more overseas grosses from both Dawn of the Planet of the Apes and How to Train Your Dragon 2. The second best week worldwide belongs to #6 Universal, not so much because of the domestic release of As Above/So Below but mostly […]
WORLDWIDE STUDIO SCORECARD. The studio rankings remain unchanged, and the most noteworthy change is that Universal now boasts a film in the $300+ million worldwide box (Lucy with $126 million domestic and $192 million overseas to date). But the success of Lucy cannot make up for an excess of clunkers, as Universal is showing a hit-to-miss ratio even […]
OPENINGS: ELVIS (Warners) opened at the higher end of low expectations with $30.5M. That technically put it into a dead heat with Top Gun: Maverick for the weekend crown, although that’s misleading because like virtually all big-studio openings, Elvis essentially had a 4-day opening, while Maverick‘s weekend didn’t get to count any of its […]
UPDATE: The release of THE INTERVIEW continues to be improvisational, and contrary to regular practice–as well as Sony’s previously expressed plans–the studio announced on Sunday that in addition to its $2.8M take from independent theatres, the film earned $15M from online viewing in the Wed-Sat period. However, Sony didn’t specify how that amount was […]