Posts Tagged ‘crime’
 

 

THE SKED SERIES PREMIERE REVIEW: “Low Winter Sun”

  LOW WINTER SUN:  Sunday 10PM on AMC – Potential DVR Alert It’s been more than a decade since The Shield introduced US television to not just corrupt, but murderous cops as protagonists, and–well, it...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “The Heat”

  THE HEAT:  Watch It At Home – A Functional Vehicle for Two Strong Stars Let’s face it:  it doesn’t really matter what THE HEAT is about.  A streetwise Boston cop, a straight-laced FBI agent, some cri...
by Mitch Salem
 

 

 

THE SKED SERIES PREMIERE REVIEW: “Graceland”

  GRACELAND:  Thursday 10PM on USA As we all know, if there’s one thing USA Network wants us to remember about itself, it’s that the network is a place where characters–which is to say the memorable kind...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Longmire”

  LONGMIRE:  Monday 10PM on A&E LONGMIRE may be the best CBS show not to air on CBS.  A cleanly-executed, straightforward procedural that skews old (3/4 of its viewers are over 50), it’s a show that knows what ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Law & Order: SVU”

  You can take a time-travel journey back to 20th-century network television with LAW & ORDER: SVU, the last remnant of Dick Wolf’s once-behemoth franchise.  Visiting the show for the first time since last fall ...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Golden Boy”

  GOLDEN BOY:  Fridays 9PM on CBS A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in,...
by Mitch Salem
 

 

 

PREMIERING TONIGHT: THE SKED PILOT REPORT: “Golden Boy”

  GOLDEN BOY:  Friday 9PM on CBS (special previews on Tuesday 2/26 and 3/5) – Potential DVR Alert CBS tries to have its procedural cake and eat its serialization with GOLDEN BOY.  Think of it as How I Met Your Moth...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Ain’t Them Bodies Saints”

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Parker”

  PARKER:  Watch It At Home – Jason Statham Being Tough (Again), Elevated By Strong Supporting Cast PARKER is what Jack Reacher might have been if it hadn’t been gripped by the excess that accompanies Tom Crui...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Banshee”

  BANSHEE:  Friday 10PM on Cinemax Previously… on BANSHEE:  Through a series of coincidences not worth recounting, an ex-con (Antony Starr) has taken on the identity of Lucas Hood, who was killed on his way to beco...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Gangster Squad”

  GANGSTER SQUAD – Watch It At Home – Snappy, Violent and Completely Vacuous Watching the new GANGSTER SQUAD is a bit like checking into one of those giant Vegas theme park hotels and expecting to find yourself...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Justified”

  JUSTIFIED has the luxury of time.  The series typically tells one or two extended stories through the course of its season, so tonight’s Season 4 premiere, written by series creator Graham Yost and directed by Mic...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Major Crimes”

  MAJOR CRIMES has been doing for TNT what it was created to do–that is, fill the hole left by the departure of the network’s long-running hit The Closer–and it’s earned the Season 2 renewal it̵...
by Mitch Salem
 

 
 

THE SKED PILOT + 1 REVIEW: “Made In Jersey”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Elementary”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem