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EARLY FRIDAY BOX OFFICE: “Happy Death Day” Indeed; “The Foreigner” Soft; “Blade Runner 2049″” Fades

  HAPPY DEATH DAY (Blumhouse/Universal) continued a remarkable year for Blumhouse, following the giant successes of Split and Get Out.  Deadline has its Friday at a preliminary $11.3M (including $1M from Thursday night), ...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Halloween” Bloodthirsty, “The Hate U Give” Soft, “A Star Is Born” Stays Strong

  A piece of beloved genre IP that gets rave reviews is hard to beat, and the newest iteration of HALLOWEEN (Blumhouse/Miramax/Universal) is headed toward a huge opening.  Preliminary numbers at Deadline put Friday at $33...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Us” Huge, “Captain Marvel” Drops, “Gloria Bell” Expands

  The enduring respect and admiration for Get Out, and its own enthusiastic reviews, are pushing Jordan Peele’s US (Blumhouse/Perfect World/Universal) way past expectations.  According to preliminary numbers at Dead...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Shazam” Solid, “Pet Sematary” OK, “Best of Enemies” Soft, “Dumbo” Crashes

  By superhero movie standards, SHAZAM (DC/New Line/Warners) was moderately priced, with around $225M in production/marketing costs.  Preliminary numbers at Deadline put its opening day at $20M (including $5.9M from Thurs...
by Mitch Salem
 
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