BLACKHAT:  Not Even For Free – One of Michael Mann’s Worst Michael Mann has become a filmmaking vampire; he sucks the blood out of promising projects.  His new, seemingly up-to-the-minute computer hacking thriller BLACKHAT, following his problematic Miami Vice film and Public Enemies (as well as the pilot for HBO’s Luck) is once again his trademark kind […]

  There was a distinct feeling in 2014 that movies–the business and art of mainstream American film–reached a kind of tipping point.  The industry seemed to collectively hit that moment in its flight when so much fuel has been burned that there’s no longer any realistic possibility of returning to home base. Trends that have […]

  THE HOBBIT:  THE BATTLE OF THE FIVE ARMIES – Watch It At Home – The Best of the Hobbit Trilogy Is Still Just Its Tallest Dwarf It’s hard to get around the sad fact that Peter Jackson’s THE HOBBIT trilogy has diminished the stature of his great Lord of the Rings series.  It’s all […]

  THE HUNGER GAMES: MOCKINGJAY PART I:  Worth A Ticket – Half a Good Movie Is Still Half a Movie As big-screen and small-screen entertainment experiences have begun to merge, there’s been an increase in serialized franchise storytelling–super-expensive mega-movies turned into regularly scheduled series.  Sequels, of course, have always been with us, but through the […]

  INTERSTELLAR:  Worth A Ticket – Christopher Nolan’s Imperfect Odyssey Remember A.I.: Artificial Intelligence?  It was the deeply odd sci-fi/fairy tale quasi-collaboration between Stanley Kubrick and Steven Spielberg, originated by Kubrick but rewritten and filmed by Spielberg (at Kubrick’s request) after Kubrick’s death.  Spielberg clearly meant it as a tribute to a great filmmaker and friend, but […]

  BIRDMAN or (The Unexpected Virtue of Ignorance):  Worth A Ticket – A Stunt, But An Amazing One Alejandro G. Inarritu’s BIRDMAN is, like this year’s Boyhood, a film defined by its form.  In the case of Boyhood, that form was inextricable from its content:  its depiction of the passage of time, and the experience […]

  As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years.  Some potentially major upcoming films chose to screen at other festivals (Birdman at Venice, Gone Girl and Inherent Vice in New York), while […]

  THE LAST 5 YEARS (Radius/Weinstein) – release date currently unscheduled – Worth A Ticket Richard LaGravenese’s  film version of Jason Robert Brown’s THE LAST 5 YEARS, which premiered at the Toronto Film Festival and was acquired for release by the Radius division of the Weinstein Company, is a must-see for anyone who loves musicals–and very […]