OPENINGS:  A $34.1M US launch for a movie that reportedly carries about $350M in production and marketing costs likely means a nine-figure loss in theatrical release, which traditionally is considered less than desirable.  But the ways of Box Office Magical Thinking are infinite (and the number of pundits willing to parrot such spin similarly […]

  OPENINGS:  THE BEST CHRISTMAS PAGEANT EVER (Lionsgate) is claiming “victory” among the newcomers, but its reported $11.1M comes with a huge asterisk, as $2.1M of that total was from a preview day the previous week.  Strictly on a weekend vs weekend basis, it wasn’t close to the win.  It’s also estimating the smallest Sunday […]

  OPENINGS:  Despite being the only high-profile arrival of the week, and having a pedigree and visual style that guaranteed it media attention, Robert Zemeckis’s HERE (Miramax/TriStar/Sony) bombed with $5M.  It’s been a tough decade for Zemeckis, once a maker of blockbuster hits, whose most recent moderate success was 2012’s Flight.  Here hasn’t opened overseas, […]

  OPENINGS:  With an assortment of excuses (the World Series!  a video game release!  Halloween!  birthday parties?!?), VENOM: THE LAST DANCE (Marvel/Columbia/Sony) tottered to $51M in the US, down 43% from 2021’s Let There Be Carnage.  At this point it seems to be heading for $125M domestically, down from $213.6M.  Things are much stronger overseas, […]

  OPENINGS:  SMILE 2 (Paramount) opened on par with its predecessor, at $23M compared to $22.6M.  A small dip had been projected, so that was slightly above expectations.  The sequel, unlike the first Smile, will face major competition in its 2nd weekend, so it remains to be seen whether it can have that film’s stellar […]

OPENINGS:  TERRIFIER 3 (Cineverse) broke through to a mainstream audience with an $18.3M weekend, which is more than the entire $10.6M run of 2022’s Terrifier 2 (that one’s highest weekend was $1.9M).  The new entry in the unrated, ultra-violent slasher series accomplished this with not just a low production budget, but reportedly a miniscule amount […]

  OPENINGS:  Amazingly, the 58% first weekend plunge from $96.2M for 2019’s Joker to $40M for JOKER: FOLIE A DEUX (DC/Warners) understates how much audiences hated the new film.  For that, you have to look to the respective Friday-to-Saturday drops, after word of mouth had a chance to set in:  44% compared to 18%, which […]

  OPENINGS:  THE WILD ROBOT (DreamWorks Animation/Universal), aided by strong reviews, started above expectations with $35M.  It has the family audience almost to itself until mid-November, and should pass $100M in the US.  It’s thus far in only 29 international territories, and has $18.1M after a $9.9M weekend.  Since the source material is a series […]