GRIMM:  Fridays 9PM on NBC NBC took a risk in placing GRIMM, one of its few successful shows, onto its microscopic bench for months of midseason hiatus, but at least it broke off with a solid cliffhanger.  Without overdoing the backstory:  our hero, homicide detective and erstwhile monster-hunter (aka “Grimm”) Nick Burkhardt (David Giuntoli) […]

  DEAD MAN DOWN:  Watch It At Home – Effectively Moody Tale of Revenge Until its final reel, when it arrives pretty much where you thought it was going to go from the very start, and in a way even dumber than you expected, DEAD MAN DOWN is a surprisingly rich B-movie in a movie […]

  OZ THE GREAT AND POWERFUL:  Watch It At Home – Not All Yellow Brick Roads Are Golden The digital landscapes in Sam Raimi’s prequel OZ THE GREAT AND POWERFUL are gorgeous:  eye-poppingly colorful, and crammed with beautiful, intricate detail.  There’s also a flying, talking monkey and a living china doll, both generated in the […]

  The curtain rang down on the 4th season of WHITE COLLAR tonight, an unusually labored one.  The show still has a fair amount of style and charm, but it’s starting to feel as shackled as Neal Caffrey’s ankle bracelet (and harder to slip out of). Partly the series is a victim of its own […]

  GOLDEN BOY:  Fridays 9PM on CBS A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful […]

  I speak–clearly–not as a fan:  ENLIGHTENED was less unbearable in its second season than it was in its first. The show does have its fans, meager in number (fewer than 300,000 viewers watched the initial airings of recent episodes, and only around 100,000 of those were under 50–no doubt those numbers go up when […]

  THE VIKINGS:  Sunday 10PM on History Channel In its pilot, at least, THE VIKINGS, which marks History Channel’s first step into the world of continuing scripted drama after its massive success last year with the Hatfields and McCoys miniseries, is so rudimentary a piece of historical fiction that it might as well have been […]

  RED WIDOW:  Sunday 10PM on ABC The “2-hour premiere” of RED WIDOW actually consisted of the pilot that was shot before last year’s upfronts, combined with the first regular episode (both halves written by series creator Melissa Rosenberg, with the pilot directed by Mark Pellington and episode 2 by Daniel Sackheim).  Watching the combination […]