MTV’s FINDING CARTER is another high-concept series challenged by its concept losing some of its height.  The original impetus for the story was teenager Carter (Kathryn Prescott) being rescued from a kidnapping at the hands of Lori (Milena Govich) that Carter didn’t even know had happened, because Lori had taken her at the age […]

  People take their GAME OF THRONES very seriously.  That’s not a new phenomenon, of course–the term “fanboy” was invented to describe audience members obsessed with their chosen (usually fantasy/sci-fi adventure) sagas, and that level of commitment predates the word and applies to all genders–but this season, the level of debate reached a new height.  […]

  The existence of the strikingly similar (in premise) Stitchers provides some perspective on the imagination and skill that’s gone into IZOMBIE.  Both shows involve young women who temporarily enter the minds of the recently dead to solve their murders, but iZombie is put together with consistent wit, intelligence and a strong sense of character. […]

  Movies have the advantage over TV when it comes to telling gimmicky stories, because a movie only has to sustain the gimmick for 2 hours, and then it’s done.  YOUNGER could have been an effortless feature vehicle for [fill in the rom-com star blank], but after 12 half-hour episodes, the effort is already showing […]

  OUTLANDER overcame a shaky conceptual start to become a thoroughly compelling historical romance, and probably the best original series Starz has aired thus far.  There’s still something fundamentally odd about the fact that the underlying plot gimmick, the trip in time that heroine Claire (Caitriona Balfe) has taken from 1945 Scotland to 1743, has […]

  It’s been a heavy week for epochal TV.  On Sunday, Mad Men sold us one last Coke, and tonight marked the end of David Letterman’s reign, one that’s lasted into a fourth decade on the air and has had an almost incalculable influence not just on late-night TV or even TV in general, but […]

  Even as other broadcast networks have been backing off their commitment to situation comedy, ABC seems to have possession of the magic formula.  Last season’s The Goldbergs became a genuine hit with a move to Wednesdays, Fresh Off the Boat richly deserved its renewal on Tuesdays, and even the now-canceled Cristela had its fans.  […]

  Despite the declining fortunes of network TV, it was a good season for newly-launched dramas, with big hits emerging for FOX in Empire, ABC in How to Get Away With Murder, and CW in THE FLASH.  The latter isn’t just one of its network’s highest-rated shows ever, but remarkably has outrated series in its […]