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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Knives Out” & “A Beautiful Day In The Neighborhood”

  KNIVES OUT (Lionsgate – November 27):  Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you thi...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Dolemite Is My Name,” “My Zoe” & “Briarpatch”

  DOLEMITE IS MY NAME (Netflix – October 4 in theatres/October 25 streaming): Putting aside his strong dramatic turn in Dreamgirls, it’s been an incredible 20 years, dating back to 1999’s Bowfinger, since...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Just Mercy,” “Pain & Glory,” “The Personal History of David Copperfield” & “Varda By Agnes”

  JUST MERCY (Warners – December 25):  As the release date suggests, this is a straight-down-the-middle Oscar play, and it may have some success in that arena (although Warners will also be campaigning for The Goldf...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “A Kid Like Jake” & “You Were Never Really Here”

  A KID LIKE JAKE (no distrib):  Silas Howard’s dramedy is a small-scale triumph, successfully navigating its way from a wry account of upper-middle-class Brooklynites Alex and Greg (Claire Danes and Jim Parsons) tr...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Damsel” & “Puzzle”

  DAMSEL (no distrib):  A hipster representation of comedy rather than anything comic itself.  Written and directed by David and Nathan Zellner, whose previous work includes the similarly film festival-targeted Kumiko, T...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily’s Sundance Film Festival Reviews: “Ophelia” & “Burden”

  OPHELIA (no distrib):  Claire McCarthy’s film, written by Semi Chellas from Lisa Klein’s novel, dampens the fun of its own concept.  The idea is to re-tell Hamlet through the eyes of Shakespeare’s ill...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “Monster” & “Beirut”

  MONSTER (no distrib):  There’s less than meets the eye in Anthony Mandler’s Monster.  Based by Colen C. Wiley, Radha Black and Janece Shaffer on Walter Dean Myers’ novel, it seems like it’s goin...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “Come Sunday” & “The Miseducation of Cameron Post”

  COME SUNDAY (Netflix):  American films that feature religious figures tend to come in two varieties:  the cloying “faith-based” dramas that play quite literally to the choir, and the “edgy” film...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Wildlife” & “The Tale”

  WILDLIFE (no distrib):  If you’ve ever felt sorry for youngsters who are cordoned off from their parents’ difficult relationships, and then blindsided by the consequences, Paul Dano’s directing debut a...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “Studio 54″” & “What They Had”

  STUDIO 54 (no distrib):  Matt Tynauer’s documentary covers all the bases of the disco that defined nightlife for a surprisingly brief time in the late 1970s, from the club’s construction on the site of an ol...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “American Animals” & “The Kindergarten Teacher”

  AMERICAN ANIMALS (no distrib):  It’s not easy to come up with a new spin on the venerable heist movie genre, but writer/director Bart Layton has managed just that with American Animals.  Layton had been until now...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Capsule Reviews

  When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so a...
by Mitch Salem
 
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Current Release

THE 11 BEST 10 FILMS OF 2014 and Other Movie Thoughts

  There was a distinct feeling in 2014 that movies–the business and art of mainstream American film–reached a kind of tipping point.  The industry seemed to collectively hit that moment in its flight when so m...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Mini-Reviews

  As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years.  Some potentially majo...
by Mitch Salem
 
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