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Film Festival

SHOWBUZZDAILY Virtual Toronto Film Festival Reviews

  This was a Toronto Film Festival unlike any other, and not just because I “attended” it from the laptop in my house.  Toronto has become an important stop on the road to the Academy Awards, with 9 of the pas...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Joker” & “Harriet”

  JOKER (Warners – October 4):  One’s perception of Todd Phillips’ JOKER may depend in part on the context in which one sees it.  In the 11 years since Christopher Nolan’s The Dark Knight, the MCU...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Just Mercy,” “Pain & Glory,” “The Personal History of David Copperfield” & “Varda By Agnes”

  JUST MERCY (Warners – December 25):  As the release date suggests, this is a straight-down-the-middle Oscar play, and it may have some success in that arena (although Warners will also be campaigning for The Goldf...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Mini-Reviews

  As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years.  Some potentially majo...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Review: “The Theory of Everything”

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “The Disappearance of Eleanor Rigby: Him and Her”

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debutR...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Dallas Buyers Club”

  DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well.  Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental. �...
by Mitch Salem
 
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