Posts Tagged ‘Ralph Fiennes’
 

 

Toronto Film Festival 2024 Reviews: “Saturday Night” & “Conclave”

  SATURDAY NIGHT (Columbia/Sony – Sept 27):  It’s easy to imagine a film about Saturday Night Live making a statement about the cultural, political and financial impact of the show, or recounting its long jou...
by Mitch Salem
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Toronto Film Festival Reviews: “Causeway” & “The Menu”

  CAUSEWAY (Apple – November 4):  After a decade as one of Hollywood’s biggest stars, there was reason to wonder whether the Jennifer Lawrence who first came to prominence with the Sundance movie Winter’...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Forgiven,” “Dashcam” & “Montana Story”

  THE FORGIVEN (Focus/Universal – TBD):  In 1963, Pauline Kael famously wrote a piece entitled “The Sick-Soul-Of-Europe Parties,” and almost 60 years later, if you add the US to the guest list, John Mich...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Official Secrets” & “Greener Grass”

  OFFICIAL SECRETS (IFC):  Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets wit...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “The Grand Budapest Hotel”

  THE GRAND BUDAPEST HOTEL:  Worth A Ticket – Wes Anderson’s Latest Fancy Box Has Something Inside Where has the “Academy” 1.37:1 screen aspect ratio been all of Wes Anderson’s life?  One of...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Skyfall”

  SKYFALL:  Worth A Ticket – Bond Reborn For years–decades, actually–there have been periodic murmurings that a “real” director would one day take the helm of a James Bond movie.  At various...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Great Expectations”

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists.  (And for those who want a different slant on ...
by Mitch Salem