Posts Tagged ‘sci-fi’
 

 

THE SKED SEASON PREMIERE REVIEW: “Falling Skies”

  FALLING SKIES:  Sunday 10PM on TNT FALLING SKIES is, for TNT, the series Syfy needs and doesn’t seem to be able to pull off.  As futuristic adventure sagas go, there’s nothing innovative about it, or even s...
by Mitch Salem
 

 
 

SHOWBUZZDAILY MOVIE REVIEW: “Star Trek: Into Darkness”

  STAR TREK: INTO DARKNESS:  Worth A Ticket – Another Satisfying Trip On the Enterprise J.J. Abrams and his Bad Robot cohorts, writers Roberto Orci and Alex Kurtzman, did a bang-up job rejuvenating the Star Trek fra...
by Mitch Salem
 

 

 

THE SKED PREMIERE + 1 REVIEW: “Orphan Black”

  ORPHAN BLACK:  Saturday 9PM on BBCAmerica The second hour of BBCAmerica’s ORPHAN BLACK continued to keep up the pace while gradually revealing its secrets.  The very hardworking Tatiana Maslany this time got to a...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Game of Thrones”

  GAME OF THRONES:  Sunday 9PM on HBO That ineffable “It” that HBO referred to in the classic “It’s Not TV.  It’s HBO” ad campaign is now remarkably widespread, from FX to AMC, from Sh...
by Mitch Salem
 

 

 

THE SKED SERIES PREMIERE REVIEW: “Orphan Black”

  ORPHAN BLACK:  Saturday 9PM on BBCAmerica – Potential DVR Alert BBCAmerica’s second foray into original scripted drama, ORPHAN BLACK, while less inherently prestigious than Copper–lacking as it does th...
by Mitch Salem
 

 
 

THE SKED MIDSEASON PREMIERE REVIEW: “Revolution”

  REVOLUTION:  Monday 10PM on NBC Of all the mysteries that surround the events of NBC’s REVOLUTION, the one that definitely won’t be answered this season is how the show would rate if it didn’t have T...
by Mitch Salem
 

 

 

PREMIERING TONIGHT: THE SKED’S PILOT REPORT – “Zero Hour”

  ZERO HOUR:  Thursday 8PM on ABC – Potential DVR Alert ZERO HOUR‘s pilot is an engaging piece of nonsense, but whether it can work as a continuing TV series is another question.  The premise is a DaVinci Cod...
by Mitch Salem
 

 
 

THE SKED SERIES FINALE REVIEW: “Fringe”

  The most paranormal thing about FRINGE, in the end, was that it actually survived 5 seasons on the air, as very possibly the lowest-rated series to be regularly renewed in the history of network television.  (Made possi...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Haven”

  Not even HAVEN‘s worst enemy would have wished on the series its season finale experience of the past few weeks.  More serialized than ever before, the season was approaching its ending with a second-to-last episo...
by Mitch Salem
 

 
 

THE SKED FALL FINALE REVIEW: “Revolution”

  One of the many ways in which broadcast networks have started to resemble their cable counterparts is in the structure of a series season.  For years, cable has aired its shows, especially serialized series, in clearly-...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Cloud Atlas”

  It isn’t often that one needs to invoke Intolerance to describe a current film, but CLOUD ATLAS demands it.  Like D.W. Griffith’s epic, it intercuts between stories taking place across hundreds of years o...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Frankenweenie”

  FRANKENWEENIE:  Watch It At Home – Tim Burton Tries To Bring His Old Creation Back to Life Tim Burton certainly can’t have planned it this way, but his new stop-motion feature version of FRANKENWEENIE serves...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Fringe”

  FRINGE:  Friday 9PM on FOX WHERE WE WERE:  The present, or at least a version of it where our Earth exists in multiple parallel near-duplicate dimensions, and “Observers” from the future make sure everythin...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Looper”

  LOOPER:  Worth A Ticket – Maybe Too Enthralling For Its Own Good   Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away.  His first film, Brick, was a high school film...
by Mitch Salem
 

 

 

THE SKED PILOT + 1 REVIEW: “Revolution”

  A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may ...
by Mitch Salem