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Film Festival

Toronto Film Festival Reviews: “The Burial,” “Wildcat” & “Poolman”

  THE BURIAL (MGM/Amazon – Oct. 13):  A yarn that’s also a true story.  Jeremiah O’Keefe (Tommy Lee Jones) was the owner of a family-run, regional Mississippi business that for decades had offered funer...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “American Fiction,” “The Critic” & “Mother, Couch”

  AMERICAN FICTION (Orion/MGM/Amazon – Nov. 17):  The Toronto People’s Choice Award has been something of a golden ticket to a Best Picture nomination over the years, and this year the prize went to Cord Jeff...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “Rustin,” “Memory” & “Fingernails”

  RUSTIN (Netflix – Nov. 17):  The director and producer George C. Wolfe is a towering figure in American theater, but his films to date have been wobbly at worst (A Night in Rodanthe, You’re Not You) and stur...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “The Boy and the Heron,” “Dumb Money” & “North Star”

  THE BOY AND THE HERON (GKids – Dec. 8):  Hiyao Miyazaki, a legend of animation (Spirited Away, My Neighbor Totoro, Princess Mononoke), had announced his retirement as a feature film director a decade ago, upon the...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “Hit Man,” “Daddio” & “Next Goal Wins”

  HIT MAN (no distrib):  A clever, funny, sexy entertainment from Richard Linklater and emerging star Glen Powell, who co-wrote the script with the director (both also produced), inspired by an already-wild true story.  ...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “His Three Daughters,” “Backspot” & “Lee”

  HIS THREE DAUGHTERS (no distrib):  The premise of Azazel Jacobs’ film is simple enough to be staged as a play:  as their father Vincent (Jay O. Sanders) lies dying in an unseen room of his Bronx apartment, Katie...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Mothering Sunday,” “Petite Maman” & “All My Puny Sorrows”

  MOTHERING SUNDAY (Sony Classics – Nov 19):  Eva Husson’s film, adapted by Alice Birch from a Graham Swift novel, has many of the rote trappings of prestige costume drama.  We’re back in the English co...
by Mitch Salem
 
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Film Festival

Full SHOWBUZZDAILY Virtual Sundance Reviews

This may be heresy, but the virtual Sundance Film Festival went so smoothly that if they offered it as an option in a hopefully pandemic-free 2022, I’d seriously consider passing up the freezing weather and the waits for ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “On the Count of Three” & “Ma Belle, My Beauty”

  ON THE COUNT OF THREE:  There was a well-deserved Sundance screenwriting prize for Ari Katcher and Ryan Welch’s script for Jerrod Carmichael’s big-screen directing debut, which threads an almost impossible n...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Mayday” and “Prisoners Of the Ghostland”

  MAYDAY:  The fantasy whatzit is a Sundance staple, and Mayday fits into that category.  (Paradise Hills was a recent example from a past festival.)  Ana (Grace Van Patten), short for Anastasia, is an ignored and abuse...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “The World To Come” & “Jockey”

  THE WORLD TO COME (Bleecker Street – March 2):  Although the story is set in 1856, this is 2021, so it’s not hard to see where Mona Fastvold’s The World To Come is heading.  Ron Hansen and Jim Shepard...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Review: “Judas and the Black Messiah”

  JUDAS AND THE BLACK MESSIAH (Warners/HBO Max – February 12):  The title refers to the FBI informant Bill O’Neal (played here by LaKeith Stanfield) and the Illinois Black Panthers leader Fred Hampton (Daniel ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Eight For Silver” & “The Sparks Brothers”

  EIGHT FOR SILVER:  Sean Ellis’s 19th century werewolf movie takes itself very seriously.  Ellis has extensively revised the usual mythology of the genre:  the full moon doesn’t figure into things, the were...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “First Date” & “Pleasure”

  FIRST DATE:  Your regard for First Date is likely to directly relate to your nostalgia for the low-rent action comedies and Tarantino imitations of the 1990s and 2000s.  Those comedies were marked by idiot plots that p...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Land,” “Together Together” & “Marvelous and the Black Hole”

  MARVELOUS AND THE BLACK HOLE:  Goodhearted YA comfort food.  Kate Tsang’s feature debut is about 13-year old Sammy (Miya Cech), who has become surly and rebellious toward her father Angus (Leonardo Nam) and siste...
by Mitch Salem
 
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