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Behind the US/Worldwide Weekend Box Office – 11.17.2024

  OPENINGS:  A $34.1M US launch for a movie that reportedly carries about $350M in production and marketing costs likely means a nine-figure loss in theatrical release, which traditionally is considered less than desirabl...
by Mitch Salem
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Articles

Behind the US/Worldwide Weekend Box Office – 11.10.2024

  OPENINGS:  THE BEST CHRISTMAS PAGEANT EVER (Lionsgate) is claiming “victory” among the newcomers, but its reported $11.1M comes with a huge asterisk, as $2.1M of that total was from a preview day the previou...
by Mitch Salem
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Articles

Behind the US/Worldwide Weekend Box Office – 11.3.2024

  OPENINGS:  Despite being the only high-profile arrival of the week, and having a pedigree and visual style that guaranteed it media attention, Robert Zemeckis’s HERE (Miramax/TriStar/Sony) bombed with $5M.  It...
by Mitch Salem
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Articles

Behind the US/Worldwide Weekend Box Office – 10.27.2024

  OPENINGS:  With an assortment of excuses (the World Series!  a video game release!  Halloween!  birthday parties?!?), VENOM: THE LAST DANCE (Marvel/Columbia/Sony) tottered to $51M in the US, down 43% from 2021’...
by Mitch Salem
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Articles

Behind the US/Worldwide Weekend Box Office – 10.20.2024

  OPENINGS:  SMILE 2 (Paramount) opened on par with its predecessor, at $23M compared to $22.6M.  A small dip had been projected, so that was slightly above expectations.  The sequel, unlike the first Smile, will face m...
by Mitch Salem
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Articles

Behind the US/Worldwide Weekend Box Office – 10.13.2024

OPENINGS:  TERRIFIER 3 (Cineverse) broke through to a mainstream audience with an $18.3M weekend, which is more than the entire $10.6M run of 2022’s Terrifier 2 (that one’s highest weekend was $1.9M).  The new ent...
by Mitch Salem
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Articles

Behind the US/Worldwide Weekend Box Office – 10.6.2024

  OPENINGS:  Amazingly, the 58% first weekend plunge from $96.2M for 2019’s Joker to $40M for JOKER: FOLIE A DEUX (DC/Warners) understates how much audiences hated the new film.  For that, you have to look to the r...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 9.29.2024

  OPENINGS:  THE WILD ROBOT (DreamWorks Animation/Universal), aided by strong reviews, started above expectations with $35M.  It has the family audience almost to itself until mid-November, and should pass $100M in the U...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Box Office – 9.22.2024

  OPENINGS:  TRANSFORMERS ONE (Hasbro/Paramount) underdelivered vs projections by about 20%, and its dim $25M start didn’t even give it the weekend’s #1 ranking at the box office.  Paramount was taking a calc...
by Mitch Salem
 
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Film Festival

Toronto Film Festival 2024 Review: “Babygirl”

  BABYGIRL (A24 – Dec. 25):  We’ve reached the point where Nicole Kidman’s work ethic has become something of a running gag.  In the past 5 years alone, she’s appeared in an incredible eight feat...
by Mitch Salem
 
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Film Festival

Toronto Film Festival 2024 Reviews: “Saturday Night” & “Conclave”

  SATURDAY NIGHT (Columbia/Sony – Sept 27):  It’s easy to imagine a film about Saturday Night Live making a statement about the cultural, political and financial impact of the show, or recounting its long jou...
by Mitch Salem
 
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Film Festival

Toronto Film Festival 2024 Reviews: “Megalopolis” & “Millers In Marriage”

  MEGALOPOLIS (American Zoetrope/Lionsgate – Sept. 27):  Francis Ford Coppola’s long-awaited, much-discussed return to epic filmmaking, self-financed to the tune of $125M+ (he’s paying for the marketing...
by Mitch Salem
 
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Film Festival

Toronto Film Festival 2024 Reviews: “Queer” & “Jane Austen Wrecked My Life”

  QUEER (A24 – TBD):  Luca Guadagnino has unearthed glamour in the blood-soaked dance troupe/witches’ coven of Suspiria and the cannibal romance of Bones and All, so it shouldn’t be a surprise that his s...
by Mitch Salem
 
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Film Festival

Toronto Film Festival 2024 Reviews: “Heretic” & “Emilia Perez”

  HERETIC (A24 – Nov. 15):  A nifty piece of philosophical horror from Scott Beck and Bryan Woods, the writers of the original A Quiet Place.  The set-up is almost fairy tale in its simplicity.  A pair of young wo...
by Mitch Salem
 
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Film Festival

Toronto Film Festival 2024 Reviews: “The Wild Robot” & “Disclaimer”

THE WILD ROBOT (DreamWorks Animation/Universal – Sept. 27):  Chris Sanders’s movie is a fairly captivating if unsurprising family entertainment.  In the future, when a plane with a cargo of robots crashes off the ...
by Mitch Salem
 
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