Posts Tagged ‘Toronto Film Festival review’
 

 

SHOWBUZZDAILY Toronto Film Festival Review: “London Road”

  LONDON ROAD may have seemed marginally less odd as the stage musical it originally was.  No matter how naturalistic a play may be, the mechanics of theatre make it somewhat stylized, and that may have brought the show&#...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “A Tale of Love and Darkness”

  Natalie Portman certainly hasn’t made it easy for herself with her debut as a writer/director, A TALE OF LOVE AND DARKNESS.  The film, which premiered at Cannes (but tellingly, doesn’t yet have a US distribu...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto 2014 Review: “The Theory of Everything”

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “Top Five”

  TOP FIVE:  No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear f...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto 2014 Review: “Eden”

  EDEN (IFC):  release date unscheduled – Watch It At Home Notwithstanding its subtitles, the genre of Mia Hanson-Love’s EDEN, which had its world premiere at the Toronto Film Festival, isn’t unfamiliar ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “St. Vincent”

  ST. VINCENT (Weinstein) – Opens October 24 – Worth A Ticket Bill Murray has perfected the persona of the grouchy, reluctant hero.  The image has even attached itself to him professionally:  although he̵...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto 2014 Review: “The Humbling”

  THE HUMBLING (Millenium) – no release date set – Watch It At Home THE HUMBLING wasn’t one of Philip Roth’s major novels, and Barry Levinson’s film, despite striking performances from Al Paci...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “The Judge”

  THE JUDGE (Warners) – Opens October 10 – Watch It At Home Since the first Iron Man opened, Robert Downey Jr. has been one of the world’s biggest (and wealthiest) stars.  But he hasn’t used his su...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “Philomena”

  In recent years, the… let’s call it mature audience has been a profitable one, making moderate hits of films like The Best Exotic Marigold Hotel and Quartet.  This holiday season, the title of choice fo...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “The Last of Robin Hood”

  THE LAST OF ROBIN HOOD is an odd miss, a sliver of movie history that seems to have all the right elements but never quite jells.  The title refers to Errol Flynn, legendary swashbuckling star of The Adventures of Rob...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “Under the Skin”

  A film festival is certainly the place for a feature-length semi-linear flow of unscripted dialogue and bizarre imagery if anywhere is, so welcome to UNDER THE SKIN.  The writer/director Jonathan Glazer has gradually b...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “Tracks”

  There’s no cutesiness to be found in John Curran’s film TRACKS, a bracingly non-Disneyfied true-life nature tale.  In the mid-1970s, a young Australian woman named Robyn Davidson decided to walk across almo...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Third Person”

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “You Are Here”

  If there were no credits on the new comedy-drama YOU ARE HERE, it would almost be inconceivable that an audience member would imagine it coming from the typewriter of Matthew Weiner, the creator of Mad Men.  It’...
by Mitch Salem