Posts Tagged ‘tv review’
 

 

THE SKED SEASON PREMIERE REVIEW: “Glee”

  GLEE:  Thursday 9PM on FOX WHERE WE WERE:  Post-graduation, post-national title, watching a lot of regulars on their way out of high school:  Rachel off to NY and NYADA, Kurt to neither, Finn to the Army, Puck to LA, ...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Parenthood”

  PARENTHOOD:  Tuesday 10PM on NBC   WHERE WE WERE:  The wedding of Crosby (Dax Shepard) and Jasmine (Joy Bryant), an event long in coming, considering that they’ve been raising Jabbar (Tyree Brown) together a...
by Mitch Salem
 

 

 

THE SKED MINISERIES REVIEW: “Coma”

  Not every novel needs to be a 4-hour miniseries, and a good example is A&E’s new version of COMA.  Robin Cook’s novel was capably filmed in 1978 by Michael Crichton in a brisk 113 minutes, and extending ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Breaking Bad”

  Visually, this season of BREAKING BAD has been typified by shots of Walter White’s looming, shaven, gleaming skull.  A bald pate may not have received this much loving camera attention since Brando’s in Apoc...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 2 REVIEW: “Major Crimes”

  MAJOR CRIMES:  Monday 9PM on TNT   A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups w...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Copper”

  COPPER:  Sunday 10PM on BBCAmerica – If Nothing Else Is On… A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team i...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Episodes”

  The first season of Showtime’s EPISODES was hobbled by its own agenda, but in its much better Season 2, the series relaxed into a very solid sitcom.  The show, written throughout by Must-See-TV veterans David Cran...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Newsroom”

Here’s what Aaron Sorkin’s THE NEWSROOM is, for better and very often for worse:  a deadly serious, indeed doggedly self-righteous, primer on how news should be reported and, by extension, how America should be gov...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “True Blood”

  “Are you kidding me?  It’s always the weird stuff that’s the best,” Lafayette (Nelsan Ellis) said at one point during tonight’s season finale of TRUE BLOOD–he was watching the birth o...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Boss”

    BOSS:  Friday 10PM on Starz WHERE WE WERE:  In a state of depression.  By the end of last season, Chicago Mayor Tom Kane (Kelsey Grammer) had systematically murdered, driven away, destroyed and/or humiliated an...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Dallas”

  The title of tonight’s season finale of DALLAS was “Revelations,” but really it had only one reveal worthy of a SPOILER ALERT, and even that one was increasingly guessable as the hour went on, for anyon...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Perception”

  PERCEPTION:  Monday 10PM on TNT A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in,...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 3 REVIEW: “The Newsroom”… and “Broadcast News”

  HBO has been airing a spiffy HD edition of James L. Brooks’ 1987 BROADCAST NEWS  in its recent rotation (it’s next scheduled for July 20 and 24), and that makes sense, since the Brooks film is one of the ack...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Breaking Bad”

  BREAKING BAD:  Sunday 10PM on AMC   WHERE WE WERE:  Gasping, probably.  Walter White (Bryan Cranston), the former New Mexico high school chemistry teacher who took to cooking meth as a way to pay off his family m...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Damages”

  DAMAGES:  Wednesday 9PM on DirecTV Audience Network   WHERE WE WERE:  Recoiling from Patty Hewes (Glenn Close), the most untrustworthy attorney in New York.  Patty is a spider, constantly setting traps for everyo...
by Mitch Salem