virtual Sundance reviews | Showbuzz Daily

ShowbuzzDaily Sundance 2022 Reviews: “Emily the Criminal” & “blood”

EMILY THE CRIMINAL (no distrib): John Patton Ford’s feature debut is a lean, gritty, accomplished thriller with a smashing star performance from Aubrey Plaza. Plaza (who also produced) plays the titular Emily, ...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Reviews: “God’s Country” & “Phoenix Rising”

GOD’S COUNTRY (no distrib): A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career. When two hunters (Joris Jarsky and Y...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Reviews: “Sharp Stick” & “Babysitter”

SHARP STICK (no distrib): Lena Dunham is certainly no stranger to the concept of art as provocation, but it’s difficult to understand what Sharp Stick, her first feature film in a dozen years, and her first solo ...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Review: “My Old School”

MY OLD SCHOOL (no distrib): Although the story is apparently well-known in the UK, here the twisty tale that Jono McLeod unfurls in his documentary would constitute a spoiler, so we’ll leave things vague here. ...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Reviews: “Palm Trees and Power Lines,” “Am I OK?” and “Lucy and Desi”

PALM TREES AND POWER LINES (no distrib): Jamie Dack’s first feature film (from a script written with Audrey Findlay) means to unsettle, and it does. 17-year old Lea (Lily McInerny) is stuck in a dead-end Southe...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Reviews: “Nanny,” “Good Luck To You, Leo Grande” & “Resurrection”

NANNY (no distrib): Think Netflix’s Maid, but as a (sort of) horror movie. Aisha (Anna Diop) is an undocumented Senegalese immigrant in New York who works as a nanny for the daughter of a well-off couple, Amy (...

by Mitch Salem

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ShowbuzzDaily’s Sundance 2022 Reviews: “Honk For Jesus. Save Your Soul,” “Cha Cha Real Smooth” & “Alice”

HONK FOR JESUS. SAVE YOUR SOUL (no distrib): Scandal-ridden mega-churches aren’t exactly fresh territory for screens big (The Tears of Tammy Faye) or small (The Righteous Gemstones), with tones that range from ...

by Mitch Salem

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SHOWBUZZDAILY Virtual Sundance Reviews: “Passing,” “Street Gang” & “Mass”

PASSING: The actress Rebecca Hall has taken a big swing in her writing/directing debut. Her film Passing, based on the 1929 novel by Nella Larsen, embraces ambitious, difficult themes with sensitivity and expertise.�...

by Mitch Salem

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SHOWBUZZDAILY Virtual Sundance Reviews: “CODA” & “Censor”

A year ago, the idea of a “virtual film festival” would have seemed extremely far-fetched, but it’s become a regular practice in pandemic times. The latest festival to take this path is Sundance, whic...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Reviews: “Emily the Criminal” & “blood”

ShowbuzzDaily Sundance 2022 Reviews: “God’s Country” & “Phoenix Rising”

ShowbuzzDaily Sundance 2022 Reviews: “Sharp Stick” & “Babysitter”

ShowbuzzDaily Sundance 2022 Review: “My Old School”

ShowbuzzDaily Sundance 2022 Reviews: “Palm Trees and Power Lines,” “Am I OK?” and “Lucy and Desi”

ShowbuzzDaily Sundance 2022 Reviews: “Nanny,” “Good Luck To You, Leo Grande” & “Resurrection”

ShowbuzzDaily’s Sundance 2022 Reviews: “Honk For Jesus. Save Your Soul,” “Cha Cha Real Smooth” & “Alice”

SHOWBUZZDAILY Virtual Sundance Reviews: “Passing,” “Street Gang” & “Mass”

SHOWBUZZDAILY Virtual Sundance Reviews: “CODA” & “Censor”

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