OPENINGS: The calendar did Hollywood a favor by placing Valentine’s Day on Wednesday, affording films a 6-day window with Presidents Day on Monday. The chief beneficiary was BOB MARLEY: ONE LOVE (Paramount), which surpassed expectations with $51.1M through Monday ($27.7M over the traditional 3-day weekend). With little new competition in the wings next week, […]
For the 15 days December 16-30, the top 10 films each day in North America have totaled $825 million, now -12% below last year’s record pace but +42% above the average since 2002. Holiday Box Office Volume — Top 10 Films North America $ millions by year $ millions (2002-2015) # days Period 2016 2015 2014 2013 […]
OPENINGS: Christmas Day is one of the highest-grossing days of the year, and it will give a major bump to everything in the market. Even with that boost, AQUAMAN & THE LOST KINGDOM (DC/Warners) was only able to muster a $40M 4-day weekend studio estimate after $28.1M in 3 days (and given the 34% […]
OPENINGS: As we forecast on Friday night, X-MEN: APOCALYPSE (TSG/20th) isn’t just running lower than 2014’s Days of Future Past, it’s also been more frontloaded. 20th is projecting a $65M 3-day weekend and $80M over 4 days, but Apocalypse dropped 23% from Friday to Saturday, compared to 18% for Future Past, and Apocalypse‘s Saturday […]
BLADE RUNNER 2049 (Alcon/Sony/Warners) was a high-risk bet, with roughly $300M in production and worldwide marketing wagered on an extremely serious 164-minute sequel to a 35-year old film that only became legendary after it was itself a sizable flop in theatres. Reportedly, the bulk of that investment rested with Alcon, while Sony (international) and […]
Behaving much like recent high-profile sequels Spectre and Mockingjay Part 2, RIDE ALONG 2 (Universal) appears to be heading for an opening weekend around 20% below its predecessor. According to preliminary numbers at Deadline, Ride 2 had a $11.8M Friday, compared to $14.4M for the original Ride Along. That suggests a 4-day holiday weekend […]
OPENINGS: NAPOLEON (Apple/Sony) launched at the higher end of expectations, with $20.4M over the 3-day weekend and $32.5M for the 5-day holiday. As with Apple’s Killers of the Flower Moon, however, that leaves it a long way from any hope of breakeven on roughly $300M in production/marketing costs (particularly considering that audience polling indicated […]
With July 4th falling on a Saturday for the 1st time since 2009, this was fated to be a slow holiday at the box office. Nevertheless, the weekend’s openings were supposed to be able to overtake titles that have already been in the market for 3-4 weeks. Based on preliminary numbers at Deadline, however, […]