OPENINGS:  MISSION IMPOSSIBLE: ROGUE NATION (Skydance/China Film Channel/Alibaba/Paramount) had a solid Saturday hold, down 3% from Friday, and the studio is projecting a $56M weekend in the US, well ahead of the $47.7M opening of Mission 3, the only other entry in the series to have a conventional Friday opening.  (However, in 2006 movies […]

  OPENINGS:  The first Sonic the Hedgehog had the final pre-pandemic smash opening in 2020 before theaters started to close, with $58M for its 3-day weekend ($70M for the full Presidents Day holiday).  Now SONIC THE HEDGEHOG 2 (Paramount) has gotten off to an even bigger start with $71M for 3 days.  Although the success […]

WORLDWIDE STUDIO SCORECARD.  The studio rankings remain unchanged, although Warner Brothers had a nice week ($141 million worldwide the past seven days thanks to the domestic debut of Dolphin Tale 2 and a good start overseas for the sequel).  No other studio was over $100 million worldwide for the week, and most were well below that. Scroll […]

Oz the Great and Powerful had a very good week overseas, up $67 million to $137 million foreign to date and almost $400 million total projected worldwide.  It should approach $600 million worldwide, ending up at around #5 on our chart. The other significant gainer this past week was A Good Day to Die Hard, up $23 […]

  OPENINGS:  LITTLE (Legendary/Universal) led the weekend’s weak crop of newcomers with $15.5M, buoyed by a 15% Saturday bump.  That’s about 15% below the recent opening of What Men Want, which was aimed at a somewhat older audience, and suggests an OK $45M US total.  It had a limited overseas opening in 11 markets, where […]

Men in Black 3 increased again this week, to $352 million overseas to date (up solidly from $275 million last week).  Snow White and the Huntsman also grew, up to $84 million overseas (from $39 million last week).  Madagascar 3 enters the chart with $76 million overseas, while the other North American opener this weekend, Prometheus, now stands […]

  As Hollywood becomes more and more dependent on action and animation franchises, the US market becomes increasingly less relevant. OPENINGS:  NEED FOR SPEED (DreamWorks/Disney) made more money in China ($21.2M) on its opening weekend than it did in the US ($17.8M).  Combined with $24.4M from 39 other territories around the world, Need is likely […]

  OPENINGS:  NIGHT SCHOOL (Perfect World/Universal) had a surprising 18% Saturday bump (by comparison, both Central Intelligence and Girls Trip dropped 4% on their first Saturdays), suggesting that it’s appealing to a family audience.  That pushed the weekend to $28M, still not in the top rank of Kevin Hart openings ($34-35M for Get Hard, Ride […]