WORLDWIDE STUDIO SCORECARD.  The release of Maleficent has put Disney in a virtual three-way tie for second place (with Warner Brothers and Sony), each with around $1.35 billion worldwide for 2014 to date.  Fox remains comfortably in first place with $1.7 billion.  The other studios remain out of the running, particularly Universal, which was not helped at […]

  OPENINGS:  THE MAZE RUNNER (20th) is off to a healthy start worldwide, leading the US with $32.5M and overseas with $37.9M, the latter in 47 territories (and such major areas as Western Europe and China still to come).  Those aren’t gigantic numbers, but as YA franchises go, Maze Runner was done on the cheap, […]

  OPENINGS:  None of the newcomers made much of an impression.  At the moment, MCFARLAND USA (Disney) is claiming a slim victory over THE DUFF (CBS/Lionsgate), $11.3M vs. $11M, but that’s based on a far more aggressive Sunday estimate by Disney (predicting a 30% Sunday drop vs 42%), and when the numbers are so close, […]

WORLDWIDE STUDIO SCORECARD.  Universal is the big gainer again this week, partly because of the forecast domestic total for Ted 2 added to the chart but mostly because of almost $300 million in overseas box office added to Jurassic World (some of which is delayed reporting from the prior week). YEAR TO DATE BOX OFFICE. Looking at North […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now +5% above last year and still +3% above the average for this point the past four years ($7.878 billion).  Over the same period, Hollywood films have grossed almost $21.1 billion worldwide when we add overseas box office (that’s […]

  OPENINGS:  RISEN (Affirm/Columbia/Sony) topped the weekend’s arrivals with an $11.8M start that was above the $11.4M for War Room and the $9.2M for God’s Not Dead, although it was well below Heaven Is For Real‘s $22.5M.  The Christian genre has tremendous multiples–both God’s and War Room ended up at 6x their opening weekends–and Risen […]

  OPENINGS:  FINDING DORY (Pixar/Disney) had a 17% Saturday drop, which is on the high side for an animated blockbuster (Inside Out fell 10% on its 2d day, Monsters University was down 6%, and Minions 16%).  That suggest that the overall multiple from opening weekend may not reach the heady heights that Pixar is used […]

  It’s a deja vu weekend, as THE ACCOUNTANT (RatPac/Warners) had a $9M opening day (including $1.35M from Thursday night), according to preliminary numbers at Deadline, almost identical to last Friday’s $9.3M for The Girl On The Train (including $1.23M from Thursday night), another adult-aimed thriller with a production budget in the $40M range and […]