WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -4% below last year’s comparable span and still +1% above this point the past four years ($10.234 billion).  Over the same period, Hollywood films have grossed almost $27.1 billion […]

WORLDWIDE STUDIO SCORECARD.  The 2014 Scorecard, updated with additional overseas grosses, has been updated below.  The 2015 Scorecard will be introduced toward the end of January. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is -4% behind last year but +7% above the average for this point the past […]

  OPENINGS:  Word of mouth kicked in on Saturday for CAPTAIN AMERICA: CIVIL WAR (Marvel/Disney), which fell a mild 19% from opening day, much better than the 38% drop for Batman v Superman and the 33% for The Avengers: Age Of Ultron (although not quite as good as the 10% for Iron Man 3, 14% for The Avengers […]

  OPENINGS:  IF I STAY (Warners/MGM) was the best of a weak trio, opening with $16.4M and with an 18% drop on Saturday that indicated moderate front-loading.  It should reach a fair $40-50M US total, which could get it to breakeven if not profit. WHEN THE GAME STANDS TALL (Affirm/TriStar/Sony), with a $9M weekend, was […]

  OPENINGS:  As is frequently the case these days, the biggest opening numbers are outside the US.  DOCTOR STRANGE (Marvel/Disney) won’t arrive here until Thursday night, but it’s already racked up $86M in 33 overseas territories covering less than half the world, and not including China or Japan.  It’s a particularly impressive start since Strange […]

STUDIO SCORECARD. In the worldwide studio rankings for 2013 to date, very little change from last week. TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release films in North America (those that play on at least 400 screens at some point), 2013 now totals just under $8.0 billion, just barely ahead of 2012’s pace and 3% above the prior four-year […]

  OPENINGS:  Box office receipts for Mothers Day haven’t been counted yet, but SNATCHED (TSG/20th) is assuming (probably justifiably) that it will be the holiday choice, which brings the studio’s weekend estimate to $17.5M.  That’s still 43% below the start for Trainwreck, and with roughly $125M in production/marketing costs, it’s going to be an uphill […]

OPENINGS:  TERRIFIER 3 (Cineverse) broke through to a mainstream audience with an $18.3M weekend, which is more than the entire $10.6M run of 2022’s Terrifier 2 (that one’s highest weekend was $1.9M).  The new entry in the unrated, ultra-violent slasher series accomplished this with not just a low production budget, but reportedly a miniscule amount […]