OPENINGS:  SPIDER-MAN: ACROSS THE SPIDER-VERSE (Marvel/Sony Animation) flew past expectations with a $120.5M US opening, more than triple Into the Spider-Verse‘s $35.4M start in 2018.  That made it the 2nd biggest opening of 2023, behind only The Super Mario Bros Movie.  Across probably won’t have the 5.4x multiple that Into did (Across is more […]

  OPENINGS:  THE LITTLE MERMAID (Disney) began its run with $95.5M over the 3-day weekend, projected to $117.5M with the Monday holiday.  That’s within the range of pre-release projections, and if the numbers hold, it would be slightly higher than the $116.8M earned over the 2019 4-day Memorial Day weekend by Aladdin.  However, it’s a […]

  OPENINGS:  FAST X (Universal) arrived with $67.5M.  In the US, that was slightly below the $70M for F9, one of the first big-ticket movies to brave a wide pandemic-era release in May 2021.  In terms of the franchise as a whole (leaving aside spinoff Hobbes & Shaw), Fast X was the 7th highest of […]

  OPENINGS:  Despite a launch scheduled around Mother’s Day, BOOK CLUB: THE NEXT CHAPTER (Focus/Universal) had a soft start with $6.5M.  That’s less than half the $13.6M for the first Book Club in 2018, and also considerably below the $12.7M for this year’s 80 For Brady.  (The grasp for a closer comp with The Second […]

  OPENINGS:  GUARDIANS OF THE GALAXY VOL 3 (Marvel/Disney) launched with $114M in the US, within tracking expectations but 22% lower than 2017’s Guardians 2, despite marketing that emphasized the end of a beloved (sub-)franchise.  Guardians 2 ended with a 2.66 multiple to its opening, and if Guardians 3 performs the same way, its US total […]

  OPENINGS:  History seems to be repeating itself for filmmaker Kelly Fremon Craig, whose extremely well-reviewed ARE YOU THERE GOD?  IT’S ME, MARGARET (Lionsgate) opened with a soft $6.8M (and that studio estimate assumes an unusually strong Sunday).  That’s very similar to Craig’s also critically-praised 2016 The Edge of Seventeen, which had a $4.9M opening […]

  OPENINGS:  EVIL DEAD RISE (Warners) modestly exceeded expectations with $23.5M, although that was still below the franchise’s last reboot in 2013 at $25.8M (which only reached a $54.2M total in the US and didn’t spawn a sequel).  Horror has become the most dependable genre in Hollywood, and Evil Dead Rise is the only one […]

  OPENINGS:  Despite a bounty of new titles, nothing touched the holdover at the top of the weekend box office.  The newcomer with the closest claim to “success” in the US was THE POPE’S EXORCIST (Screen Gems/Sony), with $9.2M.  The horror movie also reported $27.4M in overseas release, which would put it on a road […]