OPENINGS:  THE LEGO MOVIE 2: THE SECOND PART (Warners Animation) had a solid 83% family matinee bump on Saturday, but its $34.4M weekend studio estimate is still down more than 50% from the opening of the original Lego Movie, and down 35% from The Lego Batman Movie.  (It’s considerably better than the relatively disastrous […]

  OPENINGS:  THE INTRUDER (Screen Gems/Sony) performed on target with $11M, and given the massive competition and the fates of the weekend’s other arrivals, that counted as a win.  It still wasn’t anything to get excited about, considering that similar Screen Gems releases like When The Bough Breaks ($14.2M), No Good Deed ($24.3M) and The […]

  On a weekend prizing quantity of newcomers over box office quality, HOBBS & SHAW (Universal) will easily retain the crown, despite a 70% Friday-to-Friday drop to $7.1M, per preliminary numbers at Deadline.  The Fast & The Furious franchise tends to be frontloaded, and that 70% drop is actually better than the 76% for Fate […]

  OPENINGS:  DARK WATERS (Focus/Universal) expanded into wide release at 2012 theatres, and emerged with a mild $4.1M.  (By comparison, Focus’s previous release Harriet opened at 2059 with an $11.7M weekend.)  Its lack of awards traction thus far suggests that it’s going to have a hard time building any momentum for a run through the […]

  OPENINGS:  Universal continued to be the main supplier of fresh product to gasping theatres, with both of the weekend’s wide openings.  They will, per the studio’s deals, be available at home in about 3 weeks–an arrangement that looks awfully good for theatres compared to Warners’ new plan to day-and-date releases at home from opening […]

  OPENINGS:  CLIFFORD THE BIG RED DOG (Nickelodeon/Paramount, also on Paramount+) opened on Wednesday and earned $22M over 5 days, $16.4M of it over the weekend.  That’s somewhat above the $13.1M start for Paw Patrol, which was also simultaneously released on Paramount+ and opened on a Friday.  Paw Patrol totaled $40.1M in the US, and […]

  OPENINGS:  WHERE THE CRAWDADS SING (Columbia/Sony) launched with $17M, ahead of (low) expectations, and fueled by an audience of women in the midwest/south.  There’s no direct competition in sight, and it should be able to leg out past $50M in the US, which would be considered a win for the moderately-budgeted production.  Crawdads may […]

>The Hangover Part II Domestic Total estimate has been upgraded to slightly exceed the first Hangover. The Hangover Part II‘s Domestic Total estimate has been upgraded to $285 million, slightly beating the $277 million of Part I.  There are two main reasons for this.  First, the original estimate generated by the ShowBuzzDaily model did not […]