Author Archive
 

 

SHOWBUZZDAILY EARLY FRIDAY BOXOFFICE REPORT – 9/7/12

  Expectations that this would be a dreadful weekend at the boxoffice are already being proved true.  The “big” opening of the week, THE WORDS (CBS) couldn’t even beat last week’s horror cheapie ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Frances Ha” & “Imogene”

  One of the things that happens at film festivals is that as you see many films in back-to-back proximity, mini-trends start to emerge, at least in the mind, and pictures that were made entirely separately, and which may ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Anna Karenina”

  ANNA KARENINA – Watch It At Home – Beautiful But Overconceptualized Version of the Tolstoy Classic Joe Wright was introduced to the world with his film of Pride and Prejudice, and it seems like he’s b...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Argo”

At this point, with 3 first-rate films to his name, it’s time to stop remarking on how surprising it is that Ben Affleck is a major American filmmaker and just accept that he is one.  His latest, ARGO, is his best yet, ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Cloud Atlas”

  It isn’t often that one needs to invoke Intolerance to describe a current film, but CLOUD ATLAS demands it.  Like D.W. Griffith’s epic, it intercuts between stories taking place across hundreds of years o...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Silver Linings Playbook”

  SILVER LININGS PLAYBOOK:  Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Thanks For Sharing”

Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem:  how to make a sensitive and funny (and not...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “The Company You Keep”

As soon as Robert Redford had enough clout to start generating his own movies, he began starring in and often producing some of the best politically-themed films of the 1970s, including The Candidate, Three Days of the Condor�...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “At Any Price”

With the notable exception of Friday Night Lights, Hollywood has rarely even attempted a serious depiction of life in the American heartland in recent years.  More often, the center of the country is a setting for stories of ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Impossible”

    THE IMPOSSIBLE – Worth A Ticket – A Tsunami Film With Both Spectacle and Emotion Director Juan Antonio Bayona has done a spectacular job of re-creating the 2004 Asian tsunami in THE IMPOSSIBLE. Staged...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO:: “Iceman”

Michael Shannon is brilliant in ICEMAN, but it has to be said that he’s brilliant in just about the same way that he was in Take Shelter, in Revolutionary Road, on Boardwalk Empire, and even in The Runaways (althoug...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Hyde Park on Hudson”

  To address the very specific elephant in HYDE PARK ON HUDSON‘s room:  it’s no King’s Speech.  It’s hard to avoid the comparison, because the two movies have a clear overlap, Hyde Park being t...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sapphires”

  With The Silver-Linings Playbook and now Wayne Blair’s THE SAPPHIRES, Harvey Weinstein may have the feel-good part of the coming awards season locked down.  This slight but charming true story (or at least R...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “White Collar”

  WHITE COLLAR lost a little of its charm this season (or half-season, depending on how you characterize USA’s bifurcated order pattern).  The should-FBI-agent-Peter Burke (Tim DeKay)-trust-former-thief-Neal Caffrey...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sessions”

Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason.  For Academy members, it doesn’t get much better than a warm “base...
by Mitch Salem