Author Archive
 

 

BEHIND THE WEEKEND BOXOFFICE – 6/23/13

  OPENINGS:  Allowing for the usual studio practice of predicting lower-than-typical Sunday drops to boost the numbers a bit, MONSTERS UNIVERSITY (Disney/Pixar) opened in line with expectations at what may be slightly les...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Cabin In the Woods”

  THE CABIN IN THE WOODS:  Watch it At Home – Clever and Culty   Seeing THE CABIN IN THE WOODS is sort of like being in Fight Club:  the first rule is not to talk about it.  Or, at least, not to reveal any of...
by Mitch Salem
 

 

 

THE SKED’S SERIES PREMIERE REVIEW: ABC’s “Mistresses”

MISTRESSES:  Monday 10PM on ABC – If Nothing Else Is On… These days, primetime soap operas usually try to be something else as well:  comedies (Desperate Housewives), musicals (Glee), thrillers (Revenge), medical ...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 7/30/13

  Another dull summer Tuesday… NBC:  The Peacock took the night thanks to AMERICA’S GOT TALENT and its 2.7, although the show was down a tick from last week.  Both weeks came off a 1.0 rerun of HOLLYWOOD GAME NIG...
by Mitch Salem
 

 

 

SHOWBUZZDAILY’s Top 10 Films of 2013 and More

  As a movie year, 2013 was awfully slow in getting started.  Hardly anything worth remembering opened all winter and spring–only 1 movie in the Top 10 below opened in theatres before late May.  Summer brought some...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Nikita”

  With its endless governmental and quasi-governmental conspiracies and its sci-fi technology, NIKITA has always flirted with sheer silliness, and in its Season 3 finale the show went all the way.  Its ratings have also f...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOX OFFICE – 8/11/13

  Here’s an instructive piece of box office math, courtesy of Disney and The Lone Ranger.  Ranger cost (including worldwide marketing) about $350M all told, and it’s going to have global theatrical revenues of...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 6/15/12

  Friday’s boxoffice was like The Good, The Bad & The Ugly–except without the “good.” OPENINGS:  All the stunt casting in the world couldn’t make anyone want to see ROCK OF AGES (Warners)...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Go On”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE – 5/10/13

    OPENINGS:  THE GREAT GATSBY (Warners) opened about as well as Warners could have hoped with a $19.8M Friday (including Thursday night).  Mothers Day is traditionally a big ticketselling day, especially for femal...
by Mitch Salem
 

 

 

THE BIJOU: Early Friday Boxoffice – 10/14/11

> What was expected to be a slow weekend at the boxoffice is proving to be exactly that.  The Hollywood Reporter has preliminary numbers for Friday, and they show FOOTLOOSE in the lead with $5.5M, heading for probably $17M...
by Mitch Salem
 

 
 

OSCARLAND: Producers Guild Produces a Tie

  The Producers Guild of America didn’t clarify much of anything tonight by giving its Best Picture award to both 12 YEARS A SLAVE and GRAVITY.  That provided all 3 of the presumed frontrunners with a prize for the ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 4.3.2022

  OPENINGS:  The MCU-adjacent MORBIUS (Marvel/Columbia/Sony) was unable to pull off Venom‘s feat of opening big despite lousy reviews.  Its $39.1M weekend was less than half of Venom‘s $80.3M, and negative wo...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Still Star-Crossed”

  STILL STAR-CROSSED:  Monday 10PM on ABC – If Nothing Else Is On… The idea of a Shonda Rhimes-produced sequel to one of Shakespeare’s classics sounds like something that might air on a satirical network...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Younger”

  Movies have the advantage over TV when it comes to telling gimmicky stories, because a movie only has to sustain the gimmick for 2 hours, and then it’s done.  YOUNGER could have been an effortless feature vehicle ...
by Mitch Salem