Author Archive
 

 

THE SKED SERIES FINALE REVIEW: “Damages”

  After 5 seasons, 2 of them exclusively on DirecTV, DAMAGES and its saga of dueling attorneys Patty Hewes (Glenn Close) and Ellen Parsons (Rose Byrne) came to its close this week, mostly with a whimper.  There were no la...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Seven Psychopaths”

  Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS.  The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I belie...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Glee”

  GLEE:  Thursday 9PM on FOX WHERE WE WERE:  Post-graduation, post-national title, watching a lot of regulars on their way out of high school:  Rachel off to NY and NYADA, Kurt to neither, Finn to the Army, Puck to LA, ...
by Mitch Salem
 

 
 

THE SKED’S THURSDAY NETWORK SCORECARD – 9/13/12

FOX won the night, but has to be a little nervous. FOX:  The competition on Thursdays hasn’t even begun, with regular season programming still 2 weeks away, but at 3.2, THE X FACTOR couldn’t even hold onto its Wedn...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Master”

  THE MASTER:  Worth A Ticket – The Title Describes the Filmmaker Our shorthand for describing movie directors, even great ones, is to compare them to other filmmakers.  So Quentin Tarantino is Sergio Leone plus ha...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Parenthood”

  PARENTHOOD:  Tuesday 10PM on NBC   WHERE WE WERE:  The wedding of Crosby (Dax Shepard) and Jasmine (Joy Bryant), an event long in coming, considering that they’ve been raising Jabbar (Tyree Brown) together a...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Great Expectations”

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists.  (And for those who want a different slant on ...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “The New Normal”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sessions”

Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason.  For Academy members, it doesn’t get much better than a warm “base...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Go On”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Writers”

  WRITERS is considered an “independent” movie because it was made without big-studio financing and because its stars (Greg Kinnear, Jennifer Connelly, Kristen Bell) are familiar faces, but not at the level th...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Passion”

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sapphires”

  With The Silver-Linings Playbook and now Wayne Blair’s THE SAPPHIRES, Harvey Weinstein may have the feel-good part of the coming awards season locked down.  This slight but charming true story (or at least R...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO:: “Iceman”

Michael Shannon is brilliant in ICEMAN, but it has to be said that he’s brilliant in just about the same way that he was in Take Shelter, in Revolutionary Road, on Boardwalk Empire, and even in The Runaways (althoug...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Something In the Air” and “Ginger and Rosa”

Toronto this year provided two notable portraits of teenagers growing up in a time of political turmoil, Olivier Assayas’s SOMETHING IN THE AIR and Sally Potter’s GINGER AND ROSA. Assayas’s film is about th...
by Mitch Salem