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SHOWBUZZDAILY @ SUNDANCE: The Amityville Film Festival

> SHOWBUZZDAILY is only 2 weeks away from traveling to Park City, Utah for the 2012 Sundance Filim Festival, so the time seems right for a rant about the nightmare that is obtaining tickets for Sundance screenings.  Every ...
by Mitch Salem
 
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THE SKED’S WEDNESDAY NETWORK SCORECARD – 1/4/12

> America gives a warm “Welcome Back” to ABC’s Wednesday line-up. ABC:  With new episodes airing for the first time in a month, the network’s shows (admittedly airing against lots of repeats and low...
by Mitch Salem
 
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THE SKED’S TUESDAY NETWORK SCORECARD – 1/3/12

> Justice was swift for the worst new show of the season. ABC:  WORK IT debuted with a lousy 2.0 on its quick journey to the TV boneyard.  In fairness, LAST MAN STANDING‘s 2.4 gave it a much weaker lead-in than ...
by Mitch Salem
 
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The Box Office Year in Review

>We have been covering the sagging box office in 2011 throughout the year, and now that we have official numbers through Sunday, the year has closed down 3% from 2010.  But the year is much more interesting when breaking i...
by Mitch Salem
 
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THE SKED PILOT REPORT: ABC’s “Work It”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 
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THE SKED’S MONDAY NETWORK SCORECARD – 1/2/12

> The networks (well, most of them) returned from their winter holidays only to find less viewer interest than they may have hoped. CBS:  An easy win for the night with an all-new line-up.  But 2 1/2 MEN, MIKE & M...
by Mitch Salem
 
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SHOWBUZZDAILY 2011 IN REVIEW: THE TOP 10 FILMS

> See Also: 2011 HONORABLE MENTIONS 2011 WORST 10   As a movie year, 2011 felt, more than anything else, like a reflection of an art and a business in disarray.  Economically, it was a down year and for the major stud...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: NEW YEAR’S WEEKEND STUDIO SCORECARD – 1/2/12

> As detailed in Mitch Metcalf’s Weekend Boxoffice Report, New Year’s Day wasn’t the bonanza the studios were expecting it to be. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL‘s Sunday incr...
by Mitch Salem
 
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THE SKED’S SUNDAY NETWORK SCORECARD – 1/1/12

> Happy New Year, NBC. NBC:  The night set up beautifully for the Peacock, with marquee teams NY Giants and Cowboys doing battle for the final NFL playoff spot and repeats everywhere else–and SUNDAY NIGHT FOOTBALL ca...
by Mitch Salem
 
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WEEKEND BOX OFFICE December 30-January 1

>As expected yesterday, the actuals for Sunday, January 1, are coming in much lower than the studios estimated.  The top 10 films look like they grossed closer to $43 million Sunday, much lower than the $53 million estimat...
by Mitch Salem
 
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SHOWBUZZDAILY 2011 IN REVIEW: THE HONORABLE MENTIONS

> It’s actually harder to come up with a manageable list of Honorable Mention movies than a Top 10, because there are so many films that are eminently worth seeking out and seeing, but perhaps a little bit flawed–so...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: WEEKEND STUDIO SCORECARD – 1/1/12

> With one startling exception and a couple of smaller ones, the holiday crop of movies declined on Saturday and are expected to recover on New Year’s Day. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL went ...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: EARLY SATURDAY NUMBERS – 12/31/11

> According to Deadline, most films were down 20-30% from Friday, which is par for the course on New Year’s Eve, due to early theater closings and non-movie plans for the night.  But there are a few oddities: Most no...
by Mitch Salem
 
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SHOWBUZZDAILY 2011 IN REVIEW: The Year’s Worst Movies

> The problem with 2011 on screen was more the pervasive mediocrity than an overload of terrible movies, but that doesn’t mean there weren’t some awful films to be found–and, if possible, avoided.  Here a...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: FRIDAY STUDIO SCORECARD – 12/30/11

> As detailed in Mitch Metcalf’s Boxoffice Report, Friday’s numbers were solid but lacking any breakout excitement.  First, let’s take a quick look at the limited-run Oscar hopefuls: THE IRON LADY (Weinst...
by Mitch Salem
 
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