Author Archive
 

 

A MIDSUMMER STUDIO’S REPORT CARD: Sony

> With a summer movie season bracketed by the first weekend in May on one end, and Labor Day on the other, we’ve reached the midpoint of 2011’s array of blockbusters, and for the next week, here at SHOWBUZZDAILY, we...
by Mitch Salem
 

 
 

THE SKED: Sunday Ratings Report & Network Scorecard – 10/9/11

> We’ll have an updated chart with specific ratings and trends up later today, but meanwhile here’s a rundown on how last night’s shows fared.  Note that both NBC and CBS will have football-related change...
by Mitch Salem
 

 

 

THE SKED’S NETWORK SCORECARD – 9/17/13

  FOX continued to reap some benefit from its early premiere week. FOX:  The premiere of DADS had a 2.1, better than last season’s Raising Hope debut (1.7), but facing atypically weak competition on the other ne...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Midseason Finale Review: “This Is Us”

  Last week’s episode of NBC’s THIS IS US notched an impressive achievement:  in Live + 7 ratings, it moved past Empire to become the highest rated drama on broadcast TV.  Admittedly, L7 ratings aren’t ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Series Finale Review: “The Daily Show With Jon Stewart”

  Losing both David Letterman and Jon Stewart in a single TV year is more than a viewing public should have to endure, but tonight it was Stewart’s turn to walk through the exit door of THE DAILY SHOW WITH JON STEWAR...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Premiere Review: “Orphan Black”

  ORPHAN BLACK:  Saturday 10PM on BBCAmerica A somewhat meta line of dialogue about “consolidation” is a sign that ORPHAN BLACK has commenced its final (and 5th) season.  Series creators Graeme Manson and Joh...
by Mitch Salem
 

 

 

THE SKED FALL TRAILER REVIEW: ABC’s “The Neighbors”

    THE NEIGHBORS:  Wednesday 9:30PM on ABC   WHAT IT’S SAYING:  You know how Tessa on Suburgatory thinks her neighbors are all, like, weird?  These neighbors are weird.
by Mitch Salem
 

 
 

SHOWBUZZDAILY OSCAR WATCH: THE TELECAST

> Until its final 45 minutes, the one thing that could be said about this year’s Oscar telecast was that it was at least brisk.  Merely 2 hours and 15 minutes into the show, there were amazingly only 3 awards and the...
by Mitch Salem
 

 

 

THE SKED’S SUNDAY CABLE SCORECARD – 12/2/12

  SHOWTIME:  HOMELAND has flirted with 24-ness since it went on the air.  It’s in the show’s DNA, given its creators’ resumes and the overlapping subject matter.  This week, barring a startling reversa...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Young Adult”

YOUNG ADULT: Worth A Ticket – Theron + Oswalt = The Real Thing   Charlize Theron plays the hell out of her character Mavis Gary in the new YOUNG ADULT.  Theron has had a curious Hollywood career, with the usual big-...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Series Premiere Review: “Still Star-Crossed”

  STILL STAR-CROSSED:  Monday 10PM on ABC – If Nothing Else Is On… The idea of a Shonda Rhimes-produced sequel to one of Shakespeare’s classics sounds like something that might air on a satirical network...
by Mitch Salem
 

 
 

THE BIJOU: Midnight “Paranormal”

> The new PARANORMAL ACTIVITY 3 is off to a good start:  its $8M boxoffice from midnight shows last night was 30% higher than Paranormal 2‘s midnight performance, and in a league with Hangover 2‘s $10.4M, which...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Halt and Catch Fire”

  HALT AND CATCH FIRE is in part a show about the cold realities of business, and business logic suggests that a third season for the series is unlikely.  The ratings, cool in Season 1, were icy this year; the show neithe...
by Mitch Salem
 

 
 

The Sked: PROMO WATCH

>NBC used its 9:30 half hour to keep hammering away at the debut of Smash, coming up at long last in mere minutes.  The network devoted 90 seconds — one 30-second spot and one 60-second spot — in a half hour wh...
by Mitch Salem
 

 

 

THE SKED’S SEASON FINALE REVIEW: “The Following”

  If the first season of THE FOLLOWING stands for anything, it’s that the significant difference between the best cable dramas and the vast majority of their network counterparts hasn’t been about the ability t...
by Mitch Salem