> As you see elsewhere on this page, ShowbuzzDaily isn’t just about movies.  And since, as it happens, Your Faithful Correspondent is in New York for the week, we’ll have a few days of thoughts about some of the hot new shows on Broadway. For anyone who doesn’t already know, THE BOOK OF MORMON is […]

> Buzz has it that Jon Robin Baitz’s play OTHER DESERT CITIES is one of the frontrunners for this year’s Best Play Tony Award, and it’s easy to see why. (Let’s leave aside the fact that so few new plays open on Broadway these days, whatever manages to stay open for more than a couple […]

> Despite the comparably dismal length of their Broadway runs, MERRILY WE ROLL ALONG is an entirely different species of flop from Carrie. The latter was an intruder on the Great White Way from the start, the implausible musical version of a Stephen King novel and hit horror flick that mixed high school, pigs’ blood […]

> Once there was a time when Broadway musicals didn’t have to say anything about society, politics, art, literature, or really much of anything.  They were exercises in style, excuses for glamorous people to get up on stage in fancy costumes and sing tuneful, ingenious songs while dancing up a storm.  That’s the world of […]

> There’s an inescapable irony in Theresa Rebeck’s play SEMINAR when the bilious novelist (Alan Rickman) who’s reluctantly teaching a group of aspiring young writers launches an attack on one of them by predicting that his “whorishness” will make him more suited for a life in Hollywood than one in the finer precincts of the […]

> For a new play, WAR HORSE has strong movie connections.  The play is adapted for the stage by Nick Stafford from the 1982 novel by Michael Morpurgo, and that novel is also the basis of Steven Spielberg’s upcoming film, which will be in theatres for Christmas (the script for which is by Lee Hall […]

> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities:  it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicle for its lead actress, Nina Arianda, who’s currently giving about as dazzling a performance as you’re likely to […]

>Steven Spielberg week on Broadway continues:  after War Horse, the director’s next film, we have CATCH ME IF YOU CAN, based on his 2002 comedy-drama (that film was written by Jeff Nathanson).   Spielberg’s movie may have been the sleekest entertainment of his career, a near-perfect piece of craft that boasted two great star performances from […]