THE MUPPETS:  Watch It At Home – Nonstop Cuteness   When it was announced that Disney’s new movie of THE MUPPETS (the Mouse House bought the entire franchise from Jim Henson’s company some years ago) was going to be written by Jason Segel and Nicholas Stoller, previously behind Forgetting Sarah Marshall (and Stoller […]

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which will hit theatres in time for a serious awards season push in late November.  Sideways and Payne’s earlier Election are two […]

  A DANGEROUS METHOD:  Watch It At Home – A Visit to Dr. Cronenberg’s Clinic   Throughout his career, David Cronenberg has been fascinated by twin compulsions:  the aberrant and the repressive.  The former was at the forefront of what are still his most celebrated films a quarter-century later, squishy biological horror movies like Videodrome […]

  HUGO:  Worth A Ticket – If Only For the Visual Splendors   Paramount doesn’t have much choice but to market Martin Scorsese’s HUGO as a family movie:  it’s got a PG rating, a young boy and girl as the hero and heroine, a children’s book (“The Invention of Hugo Cabret” by Brian Selznick) as […]

  HAPPY FEET TWO:  Watch It At Home – Not So Happy This Time   Most sequels, by and large, exist only because an earlier movie made lots of money–that’s just a fact.  But sequels often at least try to find some justification beyond that, even if it’s only a commitment to do the same […]

    THE TWILIGHT SAGA – BREAKING DAWN PART 1:  Watch It At Home – The Saga Sags In Slow Prelude To The End   The worldwide phenomenon that is Twilight often finds itself compared to Harry Potter, and for obvious reasons:  both are multi-film, multi-billion dollar franchises aimed at young audiences and telling a […]

  IMMORTALS:  Watch It At Home – Brainless, Violent and Weirdly Spectacular   There’s no question that the director Tarsem Singh has an eye.  Singh started as a director of commercials and music videos–his most famous is probably REM’s “Losing My Religion”–and his features The Cell and The Fall both had striking, memorable visuals.  Both […]

    JACK AND JILL:  Not At Any Price – 2 Adam Sandlers is 2 Too Many   Does anyone really expect an Adam Sandler movie to be good anymore?  Seriously, if you put aside his occasional relatively serious efforts (Funny People, Reign Over Me, Spanglish, Punch-Drunk Love, all boxoffice failures), and the occasional passable […]