JUDY (Roadside – September 27):  Oscar bait in its fullest form, a showbiz celebrity biography built around the work of a performer making a comeback, requiring said performer to alter appearance and render services beyond mere acting.  Judy the film has already become the story of Renee Zellweger the Best Actress candidate, a story […]

  WAVES (A24 – November 1):  Trey Edward Shults’ third film (after the micro-budgeted indie Krisha and the horror movie They Come By Night) manages the remarkable feat of feeling both experimental and grounded, as propulsive as an episode of Euphoria without that show’s smug affectations.  There isn’t a lot of plot, and what there […]

  JOKER (Warners – October 4):  One’s perception of Todd Phillips’ JOKER may depend in part on the context in which one sees it.  In the 11 years since Christopher Nolan’s The Dark Knight, the MCU has taken over not just Hollywood’s financial heart but the very tone and definition of the comic-book genre.  The […]

  FORD VS. FERRARI (20th Century Fox/Disney – November 15):  If the Academy decides to award James Mangold’s Ford vs. Ferrari, which is certainly a possibility, it will be able to have some metaphorical cake and eat it too.  FvsF is both a first-rate example of Hollywood corporate entertainment and a story that questions what […]

  MARRIAGE STORY (Netflix – November 6 in theatres/December 6 streaming):  A film doesn’t have to be revolutionary to be great.  There may be no subjects more intensively depicted in movies and on television than marital break-ups and the miseries of divorce, yet Noah Baumbach’s Marriage Story is so fully realized and brilliantly performed that […]

  HUSTLERS (STX – September 13):  Lorena Scafaria becomes the latest filmmaker failing to ascend Martin Scorsese Mountain.  Her Hustlers wants to be Goodfellas in its marrow, not only in its based-on-a-true-story tale of New York criminals who ride high and then go down, but in its structure of interspersing dispassionate after-the-fact narration with the […]

  KNIVES OUT (Lionsgate – November 27):  Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you think you know what’s going on, he can bang his trap shut.  Johnson isn’t shy about his influences here.  The murder victim, Harlan Thrombrey […]

  DOLEMITE IS MY NAME (Netflix – October 4 in theatres/October 25 streaming): Putting aside his strong dramatic turn in Dreamgirls, it’s been an incredible 20 years, dating back to 1999’s Bowfinger, since Eddie Murphy’s work inspired the kind of joy that typified the first two decades of his career, joy that’s been diminished with […]