EMILY THE CRIMINAL (no distrib):  John Patton Ford’s feature debut is a lean, gritty, accomplished thriller with a smashing star performance from Aubrey Plaza.  Plaza (who also produced) plays the titular Emily, an aspiring artist whose career got derailed due to a violent incident in college, giving her a record that’s preventing her from […]

  KODACHROME (no distrib):  AKA that page of the indie movie playbook marked “Dysfunctional Family Road Trip To Redemption.”  Jonathan Tropper (This Is Where I Leave You) wrote the script, and it has his novels’ mix of damaged-man soap and rom-com.  This one features a dying dad (Ed Harris), who has the kind of incurable […]

  MARRIAGE STORY (Netflix – November 6 in theatres/December 6 streaming):  A film doesn’t have to be revolutionary to be great.  There may be no subjects more intensively depicted in movies and on television than marital break-ups and the miseries of divorce, yet Noah Baumbach’s Marriage Story is so fully realized and brilliantly performed that […]

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indeed.  Schnitzler’s concept, a series of sequences in which, initially, Person A meets […]

  When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home.  To a large extent, he’s pulled off his audacious comedy, although in keeping with its theme, this may be the kind of movie people […]

  THE WORST PERSON IN THE WORLD (Neon – TBD):  The Norwegian filmmaker Joachim Trier, despite being a subject of critical raves over the years, hasn’t penetrated the space where arthouse favorites become known to the mainstream.  (It didn’t help that his English-language debut Louder Than Bombs was a bust.) The Worst Person In the World, […]

  THELMA (no distrib):  In recent years, we’ve seen the rise of what might uncharitably be called Old Lady Cinema, noisy comedies like the Book Club franchise and 80 For Brady that milk gags out of the spectacle of actresses of a certain age talking about (and even engaging in) sex and some light drug […]

  CLOUDS OF SILS MARIA (IFC):  no release date scheduled – Watch It At Home Olivier Assayas is a dazzlingly ambitious filmmaker, determined to do something totally different with each project he undertakes.  The results range from the spectacular (Carlos) to the tone-deaf (Demonlover), with his new CLOUDS OF SILS MARIA, which premiered at Cannes […]