> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]
THE WORLD TO COME (Bleecker Street – March 2): Although the story is set in 1856, this is 2021, so it’s not hard to see where Mona Fastvold’s The World To Come is heading. Ron Hansen and Jim Shepard’s script begins in the dead of winter, in the wilderness that was upstate New York […]
The prevailing atmosphere in Denis Villenueve’s PRISONERS will be familiar to anyone who’s been watching cable TV drama for the past few years. Gloom, grief, hopelessness, helpless rage–it’s home turf for shows like The Killing, The Bridge, Low Winter Sun, Broadchurch and their brethren. (The rural Pennsylvania setting of Prisoners has even borrowed the endless raininess of The Killing‘s Seattle.) […]
THE BRONZE is an entertaining but standard-issue R-rated American comedy, equal parts Bad Teacher and any Danny McBride vehicle, which makes one wonder what it’s doing in the Dramatic Competition line-up at the Sundance Film Festival. (McBride’s breakout movie The Foot Fist Way also premiered at Sundance, but in the more genre-oriented Midnight section.) Another similarity to […]
A REAL PAIN (Searchlight/Disney – TBD): David (Jesse Eisenberg, who also wrote and directed) and Benji (Kieran Culkin) are cousins born just months apart and raised in close companionship. Over the years, though, they’ve drifted apart. Partly it’s because David remained in New York City, where he has a mundane but successful job selling […]
DAMSEL (no distrib): A hipster representation of comedy rather than anything comic itself. Written and directed by David and Nathan Zellner, whose previous work includes the similarly film festival-targeted Kumiko, The Treasure Hunter (they also appear in the film, David in a leading role), Damsel initially presents itself as the tall tale of Samuel […]
SHARP STICK (no distrib): Lena Dunham is certainly no stranger to the concept of art as provocation, but it’s difficult to understand what Sharp Stick, her first feature film in a dozen years, and her first solo venture since Girls, is even seeking to provoke. It centers on Sara Jo (Kristine Froseth), a bubbly […]
LIVING (no distrib): Over the years, there’s periodically been talk about remaking Akira Kurosawa’s 1952 masterpiece Ikiru, including a rumored updated US version that would have starred Tom Hanks in the lead. We finally have an English-language Ikiru in the more modest form of Oliver Hermanus’s Living, from a screenplay by the famed novelist […]