EDEN (IFC): release date unscheduled – Watch It At Home Notwithstanding its subtitles, the genre of Mia Hanson-Love’s EDEN, which had its world premiere at the Toronto Film Festival, isn’t unfamiliar to American eyes: the rise and fall of a musical genre, as reflected through a group of friends who are involved with it. […]
When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so apologies for that. There are other films, as well, that I would have liked […]
MONSTER (no distrib): There’s less than meets the eye in Anthony Mandler’s Monster. Based by Colen C. Wiley, Radha Black and Janece Shaffer on Walter Dean Myers’ novel, it seems like it’s going to be a saga of social injustice, dealing as it does with a young black New York honor student (Steve Harmon, […]
KNIVES OUT (Lionsgate – November 27): Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you think you know what’s going on, he can bang his trap shut. Johnson isn’t shy about his influences here. The murder victim, Harlan Thrombrey […]
This may be heresy, but the virtual Sundance Film Festival went so smoothly that if they offered it as an option in a hopefully pandemic-free 2022, I’d seriously consider passing up the freezing weather and the waits for delayed, packed shuttle buses to stay at home. Sure, I’d miss the communal experience, but on the […]
THE BANSHEES OF INISHERIN (Searchlight/Disney – October 21): After a sojourn in America with 3 Billboards Outside Ebbing, Missouri and Seven Psychopaths, Martin McDonagh returns to Ireland with the comic tragedy (or vice versa) The Banshees of Inisherin. The setting is an island off the Irish coast in the 1920s, where Padraic (Colin Farrell) […]
IN THE SUMMERS (no distrib): The winner of the Jury Prize in the US Dramatic Competition is a somewhat prototypical Sundance drama. Alessandra Lacorazza Samudio’s semi-autobiographical story depicts four summers over about a decade spent by Eve and Violeta, children of divorce (played by various actors, culminating with Sasha Calle and Lio Mehiel) with […]
> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the movie. Of course, this may just mean that Toronto Film Festival patrons have delicate sensibilities–an idea supported by […]