> 50/50:  Worth A Ticket –  A Genuinely Feel-Good Cancer Comedy With The Big C renewed for its third season on Showtime, the concept of a comedy getting laughs from the experiences of a cancer patient is no longer especially shocking, which means that the new 50/50 has to be judged on its comedy-drama merits, […]

  IT’S A DISASTER:  Worth A Ticket – And They Feel Just (More Or Less) Fine   IT’S A DISASTER is the movie Seeking A Friend For the End of the World aspired, but failed, to be:  a laugh-out-loud, throat-clutching comedy about catastrophe.  Disaster, which premiered at this year’s LA Film Festival, doesn’t yet have […]

  LIFE OF PI:  Worth A Ticket – A Floating Display of Visual Marvels A boy and a Bengal tiger get into a lifeboat… The digital paintbox now available to filmmakers provides an almost limitless variety of visual possibilities, and also a certain amount of temptation, because like any resource, it can be overused.  Ang […]

  Steve McQueen (the filmmaker) doesn’t take it easy on audiences.  His first feature Hunger provided an excruciatingly detailed look at the fatal hunger strike of the Irish convict Bobby Sands, and he followed it with Shame, a cooly unsexy portrait of the ravages of sexual addiction.  His new film 12 YEARS A SLAVE is […]

  The consensus is that the 2014 Sundance Film Festival was a solid but unexciting one.  To an extent that’s a business judgment: whatever its leaders may say publicly, Sundance gave itself up long ago to being as much an acquisition showcase as an artistic one, and this year, while quite a few films at […]

  It’s an unfortunate irony that TRUMBO, the story of one of Hollywood’s great blacklisted screenwriters, is undermined by an inadequate script.  It’s written by John McNamara, also the man behind NBC’s low-rated Aquarius, and viewers may find it difficult to figure out just what he and director Jay Roach had in mind, as they […]

  DOWNSIZING (Paramount – Dec 22):  Alexander Payne’s latest film (written with his usual partner Jim Taylor) is a delight–and a bit of a mess.  On its face, Downsizing is a leap out of Payne and Taylor’s comfort zones, renowned as they are for small-scale character studies and social satires like Election, The Descendants, Sideways […]

  TO THE STARS (no distrib):  Tales of small-town outcasts are a regular feature at Sundance, and Martha Stephens’ drama is an accomplished example of the genre.  Shannon Bradley-Colleary’s script is set in 1960s Oklahoma (the film is splendidly shot by Andrew Reed in a black and white that recalls The Last Picture Show), centering on […]