The screenwriter James Vanderbilt has made his directing debut with TRUTH, which premiered at the Toronto Film Festival tonight, and at times it’s clear that this is a writer’s movie:  Vanderbilt gives no fewer than three of his characters the opportunity for a Rousing Final Speech, something another director might well have toned down.  […]

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]

  The allegory is piled on so thickly in Yorgos Lanthimos’ THE LOBSTER that after a while, it’s not clear just what the underlying subject is supposed to be.  Lanthimos is a cult-favorite filmmaker (the cult mostly consists of critics and film festival selection committee members) whose arresting Dogtooth was an unlikely Best Foreign Film […]

  The director Denis Villenueve has been staking out some interesting Hollywood territory for himself.  His new SICARIO, which debuted at Cannes and screened at the Toronto Film Festival prior to arriving in theatres next week, is, like his previous Prisoners, a serious adult thriller that demands audience attention and doesn’t compromise its dramatic principles, […]

  Marc Abraham, for his second film as director (prior to that, he was a veteran producer), has chosen his second consecutive mid-20th-century biography, following 2008’s Flash of Genius with I SAW THE LIGHT, which premiered tonight at the Toronto Film Festival and will open in theatres in November.  The life of country music star […]

  LONDON ROAD may have seemed marginally less odd as the stage musical it originally was.  No matter how naturalistic a play may be, the mechanics of theatre make it somewhat stylized, and that may have brought the show’s conceits to life when it was staged by England’s National Theatre company.  But as a film […]

  Natalie Portman certainly hasn’t made it easy for herself with her debut as a writer/director, A TALE OF LOVE AND DARKNESS.  The film, which premiered at Cannes (but tellingly, doesn’t yet have a US distributor) before its first North American screening at the Toronto Film Festival tonight, is a period piece shot almost entirely […]

  As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years.  Some potentially major upcoming films chose to screen at other festivals (Birdman at Venice, Gone Girl and Inherent Vice in New York), while […]