THE SHROUDS (no distrib):  At age 81, David Cronenberg’s fascination with the malignant possibilities of the human body, and with the fiendish manipulation of same, still knows no bounds.  The Shrouds begins with the premise of a cemetery in which the bodies of the decomposing dead are wrapped in electronic swaddling that enables mourners to watch […]

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In any given year, the Madness may include unexpected gems like last year’s Insidious and 2006’s Borat, interestingly weird pictures such […]

At this point, with 3 first-rate films to his name, it’s time to stop remarking on how surprising it is that Ben Affleck is a major American filmmaker and just accept that he is one.  His latest, ARGO, is his best yet, one that has a broader palette of tones and a larger sense of scale […]

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debut” to express how good it is–if Benson hadn’t bitten off a bit more than he could chew, this would have been one (or […]

  Events on the same-sex rights front have moved so quickly that FREEHELD, which is based on a true story from 2007, and has been in development almost since it occurred, now feels like something of a history story.  Not completely, of course–as the current situation of the Kentucky clerk who won’t issue marriage licenses […]

  ROMA (Netflix – Dec. 14):  Alfonso Cuaron is one of the master filmmakers of this era, and Roma confirms that all over again.  It’s a deceptively simple memory piece, a semi-autobiographical story set in the Mexico City of his youth in 1970-71, with most of the action revolving around an upper-middle-class family with three […]

  THE WOMAN KING (Tri-Star/Sony – Sept. 16):  Gina Prince-Bythewood’s The Woman King feels something like what would happen if the Themyscira Island Amazonian sequences of Wonder Woman were feature length.  Dana Stevens’ script (from a story by the actress/producer Maria Bello) is set in the 19th-century African kingdom of Dahomey, which is ruled by […]

  HERETIC (A24 – Nov. 15):  A nifty piece of philosophical horror from Scott Beck and Bryan Woods, the writers of the original A Quiet Place.  The set-up is almost fairy tale in its simplicity.  A pair of young women who are Mormon missionaries, Sisters Barnes (Sophie Thatcher) and Baxter (Chloe East), are at the […]