THE IMPOSSIBLE – Worth A Ticket – A Tsunami Film With Both Spectacle and Emotion Director Juan Antonio Bayona has done a spectacular job of re-creating the 2004 Asian tsunami in THE IMPOSSIBLE. Staged mostly in studio tanks with added CG imagery, the 10-minute long sequence puts Clint Eastwood’s version of the disaster in Hereafter […]

With the notable exception of Friday Night Lights, Hollywood has rarely even attempted a serious depiction of life in the American heartland in recent years.  More often, the center of the country is a setting for stories of random violence or bland, heartwarming family values.  In his fourth feature film, AT ANY PRICE, director Ramin Bahrani, […]

Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem:  how to make a sensitive and funny (and not harrowing) movie on the subject of sex addiction. We’ve had the harrowing version, of course, with Steve McQueen’s […]

As soon as Robert Redford had enough clout to start generating his own movies, he began starring in and often producing some of the best politically-themed films of the 1970s, including The Candidate, Three Days of the Condor and All the President’s Men.  Laudably, in this latter portion of his career, he’s continued to be one of the […]

At this point, with 3 first-rate films to his name, it’s time to stop remarking on how surprising it is that Ben Affleck is a major American filmmaker and just accept that he is one.  His latest, ARGO, is his best yet, one that has a broader palette of tones and a larger sense of scale […]

One of the most charming things about Joss Whedon’s new film of MUCH ADO ABOUT NOTHING, unveiled today at the Toronto Film Festival, is that it’s not out to prove anything. Its actors are garbed in modern dress, and there are occasional nods to updating (very possibly as much for budget reasons as anything else, […]

  ANNA KARENINA – Watch It At Home – Beautiful But Overconceptualized Version of the Tolstoy Classic Joe Wright was introduced to the world with his film of Pride and Prejudice, and it seems like he’s been trying to escape the pigeonhole of staid Literary Classics director ever since. His Atonement, while based on another celebrated novel, […]

  One of the things that happens at film festivals is that as you see many films in back-to-back proximity, mini-trends start to emerge, at least in the mind, and pictures that were made entirely separately, and which may well end up released months apart from each other, seem to be in direct competition.  So […]