THE GOOD NURSE (Netflix – Oct. 26):  An unusually serious thriller about a serial killer.  Tobias Lindholm’s film, from a script by Krysty Wilson-Cairns (who wrote 1917 and  Last Night In Soho) and based on a book by Charles Graeber that recounted a true story, has a deliberately ambiguous title.  It seems at first […]

  THE FABELMANS (Universal – November 11):  Like all superheroes, Steven Spielberg has an origin story, and he tells it in The Fabelmans, whose world premiere was far and away the signature event of this year’s Toronto Film Festival.  Bits and pieces of this lore have been scattered throughout Spielberg’s filmmaking career, with all its […]

  CAUSEWAY (Apple – November 4):  After a decade as one of Hollywood’s biggest stars, there was reason to wonder whether the Jennifer Lawrence who first came to prominence with the Sundance movie Winter’s Bone still had a gritty indie-movie gear.  She returns to those roots with Causeway, for which she also serves as a […]

  BROS (Universal – Sept. 30):  Notwithstanding its occasional meta self-deprecation, it’s clear that Nicholas Stoller and Billy Eichner (both writer/producers and respectively director and star) want Bros to be Hollywood’s first mainstream big-screen gay rom-com hit.  It’s fitting in a way, then, that like so many straight rom-coms before it, Bros suffers from third […]

  THE WOMAN KING (Tri-Star/Sony – Sept. 16):  Gina Prince-Bythewood’s The Woman King feels something like what would happen if the Themyscira Island Amazonian sequences of Wonder Woman were feature length.  Dana Stevens’ script (from a story by the actress/producer Maria Bello) is set in the 19th-century African kingdom of Dahomey, which is ruled by […]

  WEIRD: THE AL YANKOVIC STORY (Roku – November 4):  A comic book fantasia of a celebrity “biography,” Eric Appel’s Weird: The Al Yankovic Story (co-written with Yankovic himself, who’s also one of the producers), takes some fragments about the parody musician’s life and work, and transforms them into a nonstop array of gags that […]

  THE INSPECTION (A24 – November 14):  Back in 1983, Robert Altman directed the film version of David Rabe’s play Streamers, about a Vietnam-era boot camp that turned even more violent and vicious with the catalyst of one recruit’s closeted homosexuality.  Elegance Bratton’s The Inspection tells a similar story for the “Don’t Ask Don’t Tell” […]

  ONE SECOND (Neon – TBD):  Zhang Yimou’s film was notoriously the subject of controversy with the Chinese government, which held it back from its originally scheduled film festival debut in 2019, and forced some reediting and even reshooting, so one assumes that in its initial version, the story, set during the Cultural Revolution, was […]