It just wouldn’t be a film festival without something from Michael Winterbottom.  Winterbottom isn’t at the very top of the film director pantheon, but he’s respected enough that his projects have been in near-constant festival demand for most of his two decade-long career, and one way or another they tend to be included in […]

> Watch it At Home;  Something Acceptable. As romantic comedies with Kate Hudson go, SOMETHING BORROWED isn’t so bad.  After her spectacular debut in Almost Famous, Hudson’s become something of a brand name for dreadful rom-coms that nevertheless make money (How To Lose A Guy In 10 Days, You, Me & Dupree, Fool’s Gold, My […]

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s based on Wang’s own life, so much so that it would be a spoiler to reveal the caption to […]

KILLER ELITE:  Watch It At Home – Neither Killer Nor Elite   The new KILLER ELITE takes little from Sam Peckinpah’s 1975 action movie apart from its title (Peckinpah used “The” in his) and the general notion of mercenaries and ex-spies double-crossing each other.  This isn’t a huge loss, as the 1975 version was part […]

  It takes quite a while–almost its entire length, in fact–for the utter conventionality of AFTERNOON DELIGHT to become clear.  Jill Soloway’s feature directing debut, for which she unaccountably won a Sundance award, toys with being a much more interesting, transgressive film, before settling down to be as middle-of-the-road and inoffensive as is humanly possible.  […]

  THE TWILIGHT SAGA:  BREAKING DAWN PART 2:  Watch It At Home – Fangless Eternal Love, For the Last Time Even for those of us decidedly not devotees of the TWILIGHT saga, there are some things to be said for BREAKING DAWN PART 2, beyond the obvious one that it marks the last time we’ll […]