WILDLIFE (no distrib):  If you’ve ever felt sorry for youngsters who are cordoned off from their parents’ difficult relationships, and then blindsided by the consequences, Paul Dano’s directing debut advises that pity should really be reserved for those children who know all too much about what’s going on.  Dano’s austere and disturbing drama isn’t […]

  STUDIO 54 (no distrib):  Matt Tynauer’s documentary covers all the bases of the disco that defined nightlife for a surprisingly brief time in the late 1970s, from the club’s construction on the site of an old CBS TV studio, to its “no bridge and tunnel” door policy (even though co-owners Steve Rubell and Ian […]

  AMERICAN ANIMALS (no distrib):  It’s not easy to come up with a new spin on the venerable heist movie genre, but writer/director Bart Layton has managed just that with American Animals.  Layton had been until now a documentarian, and here he intercuts between his dramatized version of a real life robbery in which four […]

  COLETTE (no distrib):  These days, the early 20th Century French writer known as Colette is remembered mostly if at all for having written the story that became the musical Gigi, but her own life proves to be remarkably timely in Wash Westmoreland’s film.  Westmoreland developed the project for a dozen years (originally with his […]

  DON’T WORRY, HE WON’T GET FAR ON FOOT (Amazon):  Despite some Christopher Nolan-esque splintering of time, Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot is one of his more conventional films.  Van Sant wrote the script himself, after years of development (originally, Robin Williams was to be the star) that resulted […]

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that set critical hearts aflutter, but they can be worthwhile all the same.  That’s the case with the likable Juliet, Naked, which continues Nick […]

  BLINDSPOTTING (no distrib):  At Sundance, often one doesn’t seek perfection so much as promise, and there’s plenty of the latter in Blindspotting, written by its stars Daveed Diggs and Rafael Casal.  They have a lot on their minds, from the gentrification of Oakland to police shootings of unarmed black men to the dynamics of […]

  DARKEST HOUR (Focus/Universal – Nov. 22):  A shameless piece of rabble-rousing Hollywood biography, directed by Joe Wright and written by Anthony McCarten, and served hot on a platter to Oscar voters.  The subject is Winston Churchill (Gary Oldman), and the terrain is the first few weeks of his tenure as Prime Minister, doubted by […]