Note:  this will be our final installment of Toronto reviews, although the festival runs on until Sunday. It’s been a good if not classic festival, with a trio of legitimately great presentations in La La Land, Jackie and Moonlight, as well as the enormously fun if not particularly artistic Sing, and other strong titles […]

  LA LA LAND (Summit/Lionsgate – December 2):  No film arrived at Toronto this year with more hype to live up to than Damien Chazelle’s La La Land, the follow-up to the filmmakers’s Oscar-winning Whiplash and the recipient of white-hot raves in Venice (where Emma Stone won the Best Actress award) and Telluride.  Chazelle’s rapturous […]

  JACKIE (Fox Searchlight – December 9):  The most impressive film of the festival thus far is director Pablo Larrain’s jewel-like examination of the realities and artifices behind our perceptions of history, viewed through the prism of Jackie Kennedy, who is played by Natalie Portman in a performance that goes beyond (brilliant) impersonation to deliver […]

  For this audience member, it was the day Toronto moved into high gear. MOONLIGHT (A24 – October 21):  Barry Jenkins’s second film, after his little-seen but much-praised Medicine For Melancholy, is a validation of film festival culture and a reminder of the power of film as personal expression.  (Although the source material is a […]

  COLOSSAL (no distrib):  Well, you haven’t seen this take on sci-fi spectacles before.  In Nacho Vigalondo’s whatzit, party girl Gloria (Anne Hathaway) and her hometown friend Oscar (Jason Sudeikis) discover that they can cause their actions to be mirrored by a giant sea monster and robot terrorizing Seoul.  In other words, if one of […]

  SNOWDEN (Open Road – Sept 16):  Oliver Stone’s return to politically-charged biography is subdued by the standards of his Nixon or W.  It’s a hagiography that follows the character arc of his Born of the Fourth of July (true believer finds his ideals crushed by political reality and transforms into a revolutionary agent against […]

  THE MAGNIFICENT 7 (Village Roadshow/MGM/Columbia/Sony – Sept 23):  Cinema survived in 1960 when Akira Kurosawa’s masterpiece The Seven Samurai was transformed into an American western, and it will survive this new adequate but uninspired remake of the remake.  Despite a script co-credited to True Detective‘s Nik Pizzolatto (with Richard Wenk), and a promising match-up […]

  When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so apologies for that.  There are other films, as well, that I would have liked […]