ANNA KARENINA – Watch It At Home – Beautiful But Overconceptualized Version of the Tolstoy Classic Joe Wright was introduced to the world with his film of Pride and Prejudice, and it seems like he’s been trying to escape the pigeonhole of staid Literary Classics director ever since. His Atonement, while based on another celebrated novel, […]

  LIFE OF PI:  Worth A Ticket – A Floating Display of Visual Marvels A boy and a Bengal tiger get into a lifeboat… The digital paintbox now available to filmmakers provides an almost limitless variety of visual possibilities, and also a certain amount of temptation, because like any resource, it can be overused.  Ang […]

  Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting a studio pick-up and selling some tickets.  The result, while funny at times and incisive at times, doesn’t successfully combine both. […]

  UPSTREAM COLOR:  Worth A Ticket – But Not If You Require Coherent Plotting I’d be lying if I said I really knew what the hell was going on in UPSTREAM COLOR, and yet the experience of watching it was surprisingly enjoyable, even gripping in an odd way.  Watching Shane Carruth’s film (he serves as […]

  SHORT TERM 12:  Run To the Multiplex – Powerful and Moving Indie Drama How can I make you want to see SHORT TERM 12?  It’s one of the year’s best pictures, but I feel as though describing the plot and setting will make it sound like a collection of the preachiest kind of pat […]

  OLDBOY:  Watch It At Home – Spike Lee’s Graphic Remake Falls Flat In the course of his career, Spike Lee has made some violent movies, but he’s never gotten off on the bloodshed; he’s not a rapturous pulpist, like Quentin Tarantino or Brian DePalma in his prime.  To remake Chan-Wook Park’s cult classic OLDBOY, […]

  THE GRAND BUDAPEST HOTEL:  Worth A Ticket – Wes Anderson’s Latest Fancy Box Has Something Inside Where has the “Academy” 1.37:1 screen aspect ratio been all of Wes Anderson’s life?  One of Anderson’s visual motifs (some would say “fetishes”) is to photograph his actors enclosed in windows, doorways, or other pieces of production design, […]

  There was a distinct feeling in 2014 that movies–the business and art of mainstream American film–reached a kind of tipping point.  The industry seemed to collectively hit that moment in its flight when so much fuel has been burned that there’s no longer any realistic possibility of returning to home base. Trends that have […]