SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a moviegoer’s dream of Hollywood popular art, superbly melding history, personality, humor, sentiment and glitz with little fault or sign of strain.  […]

  THOR: THE DARK WORLD:  Watch It At Home – The Universe Is In Danger! (Yawn) Massive superhero adventures are now so plentiful that they’re a genre unto themselves.  Within Marvel’s Avengers universe, the Thor subfranchise is the least Earthbound and most filled with mumbo-jumbo, and that’s true as well of the (barely) new THOR: […]

  THE BOOK THIEF:  Watch It At Home – A Nazi Germany Fairy Tale THE BOOK THIEF is about as heartwarming and easygoing as any story could be that’s narrated by Death and touched by the Holocaust.  That’s its strength and also its weakness; it’s history’s abyss as a singalong. Based on the acclaimed bestselling […]

  ENDER’S GAME:  Watch It At Home – Breaks The Rules, But Doesn’t Win the Game You don’t often see a $110M (plus marketing) YA adventure, intended to kick off a new movie franchise, as resolutely off-putting as ENDER’S GAME, and that’s worthy of some respect.  Its protagonist, Ender Wiggin (Asa Butterfield), isn’t cool like a […]

  THE COUNSELOR:  Not Even For Free – A Deluxe Pedigree, But Only Cut-Rate Nihilism The first “uh-oh” moment in THE COUNSELOR comes early, perhaps 10 minutes in.  We’ve barely been introduced to Reiner (Javier Bardem, genially dissolute, his hair spiky this time) and his lover Malkina (Cameron Diaz, speaking with an on-again, off-again sultry […]

  BLUE IS THE WARMEST COLOR:  Buy A Ticket – A 3-Hour Deep Dive Into A Character’s Soul BLUE IS THE WARMEST COLOR is relentlessly, sometimes suffocatingly intimate.  By that I don’t mean its celebrated, lengthy (although simulated) sex scenes between lead characters Adele (Adele Exarchopolous) and Emma (Lea Seydoux), which have earned it an […]

  CARRIE:  Watch It At Home – Respectable But Uninspired Rebo The talented director Kimberley Peirce plays a losing game with her remake of Brian DePalma’s iconic 1976 CARRIE.  (In fairness to Peirce, it’s not clear how many of the creative shots she was calling; she signed on as a director-for-hire after struggling for years […]

  CAPTAIN PHILLIPS:  Order Tickets Now – Exceptionally Taut, Intelligent Real-Life Thriller Paul Greenglass is a master of capturing pulse-pounding immediacy on film, and for most directors that would be enough.  Hollywood would be more than happy to back a money truck up to his door and have him churn out nothing but additional Bourne […]