FROZEN:  Buy A Ticket – Your Grin Won’t Melt Until It’s Time to Leave A curious shift has been occurring at Disney over the past few years.  Glamor child Pixar has been churning out second-hand blockbusters like Cars 2, Brave and Monsters University, while the comparatively overlooked Disney Animation unit (both are overseen by […]

  OLDBOY:  Watch It At Home – Spike Lee’s Graphic Remake Falls Flat In the course of his career, Spike Lee has made some violent movies, but he’s never gotten off on the bloodshed; he’s not a rapturous pulpist, like Quentin Tarantino or Brian DePalma in his prime.  To remake Chan-Wook Park’s cult classic OLDBOY, […]

  THE HUNGER GAMES: CATCHING FIRE:  Buy A Ticket – The Odds Remain in This Franchise’s Favor Gary Ross did a fine, gritty job as director and co-writer of the first Hunger Games adaptation, one especially attuned to the emotional arc of its emblematic heroine.  But minutes into the follow-up, THE HUNGER GAMES: CATCHING FIRE, […]

  DELIVERY MAN:  Not Even For Free – Vince Vaughn Tries Wholesomeness DELIVERY MAN, alas, is Vince Vaughn’s Patch Adams.  Vaughn’s desire to try something new is understandable:  he’s in his mid-40s now, and his rat-a-tat schemer schtick has been running thin lately (his last real hit was Couples Retreat in 2009); at this rate, […]

  THE SECRET LIFE OF WALTER MITTY:  Buy A Ticket – Ben Stiller’s Imaginative, Flawed Reboot Of The Classic Tale The movies Ben Stiller directs for himself (Reality Bites, Zoolander, Tropic Thunder) are nearly always more interesting than the product he churns out as an actor (the Night At the Museum franchise, the Meet the […]

  NEBRASKA:  Buy A Ticket – A Lovely, Tart Slice of Americana An unusually strong season for American movies continues with the arrival of the simple and profound NEBRASKA, directed by Alexander Payne from a marvelous script by first-time feature writer Bob Nelson.  Among its other virtues, it manages to feature within its 114 minutes […]

  HER:  Buy A Ticket – Tetrabytes of Love From Spike Jonze HER, which was presented at the AFI Film Festival before opening in theatres next month, is the first film Spike Jonze has directed from his own original script, and although its inventiveness recalls Being John Malkovich and Adaptation., the projects on which he collaborated […]

  INSIDE LLEWYN DAVIS:  Buy A Ticket – 1960s Folk Music A La The Coens INSIDE LLEWYN DAVIS, which screened as the Closing Night presentation of the AFI Film Festival in advance of its regular run next month, is Joel and Ethan Coen in their enigmatically allegorical mode, but unlike its more overtly stylized predecessors Barton […]