As Alex in A Clockwork Orange would say, this is the real and like tragic part of the story beginning, O my brothers.  After Batman Returns undergrossed Batman by $90M in the US, Warners, you might say, freaked out.  Although everyone was careful to agree that Tim Burton and the studio had mutually parted […]

  THE WORST PERSON IN THE WORLD (Neon – TBD):  The Norwegian filmmaker Joachim Trier, despite being a subject of critical raves over the years, hasn’t penetrated the space where arthouse favorites become known to the mainstream.  (It didn’t help that his English-language debut Louder Than Bombs was a bust.) The Worst Person In the World, […]

  Scott Cooper’s BLACK MASS is a beautifully put together and wonderfully acted true-life drama about Boston gangsters and the law, but it has a void at its center that holds it back from greatness.  That center isn’t occupied by JoOut ofhnny Depp or his character James “Whitey” Bulger (one used that nickname with him […]

  THE MORTAL INSTRUMENTS: CITY OF BONES –  Not Even For Free –  An Incoherent Compendium of YA Tropes THE MORTAL INSTRUMENTS: CITY OF BONES isn’t so much a movie as it is a mash-up.  They’re all here, crammed into 130 minutes of screen time–Twilight and Harry Potter and Buffy and True Blood and even […]

  TOUCHY FEELY offers the gifted writer/director Lynn Shelton taking herself very, very seriously for the most part.  It turns out to be a less effective mode for her than those of her recent small-scale comedies Humpday and Your Sister’s Sister, which had marvelously well-judged tones.  (In her more mainstream work, she recently directed a […]

  NOW YOU SEE ME:  Watch It At Home – Don’t Look Too Closely A summer action movie, like a magic act, is only as good as its final trick, and the one in the relatively low-budget NOW YOU SEE ME (which this season means something under $100M) is fairly entertaining–not impossible to foresee, if […]