The director Denis Villenueve has been staking out some interesting Hollywood territory for himself. His new SICARIO, which debuted at Cannes and screened at the Toronto Film Festival prior to arriving in theatres next week, is, like his previous Prisoners, a serious adult thriller that demands audience attention and doesn’t compromise its dramatic principles, […]
KODACHROME (no distrib): AKA that page of the indie movie playbook marked “Dysfunctional Family Road Trip To Redemption.” Jonathan Tropper (This Is Where I Leave You) wrote the script, and it has his novels’ mix of damaged-man soap and rom-com. This one features a dying dad (Ed Harris), who has the kind of incurable […]
AFTER THE WEDDING (no distrib): The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawork and lighting that imparted a sense of immediacy to the drama. Bart Freundlich’s English-language remake dispenses with that style entirely. […]
A year ago, the idea of a “virtual film festival” would have seemed extremely far-fetched, but it’s become a regular practice in pandemic times. The latest festival to take this path is Sundance, which in some ways is well-suited for this new normal, since it’s less built around starry galas than others. (And there’s […]
EMILY THE CRIMINAL (no distrib): John Patton Ford’s feature debut is a lean, gritty, accomplished thriller with a smashing star performance from Aubrey Plaza. Plaza (who also produced) plays the titular Emily, an aspiring artist whose career got derailed due to a violent incident in college, giving her a record that’s preventing her from […]
AMERICAN FICTION (Orion/MGM/Amazon – Nov. 17): The Toronto People’s Choice Award has been something of a golden ticket to a Best Picture nomination over the years, and this year the prize went to Cord Jefferson’s directing debut American Fiction. Jefferson’s script (based on the novel “Erasure” by Percival Everett) for the most part deftly toes […]
THE BALLAD OF WALLIS ISLAND (Focus/Universal – March 28): A low-key British charmer. A decade ago, Herb (Tom Basden) had a successful run as part of a folk duo with Nell (Carey Mulligan), which ended when they broke up both personally and professionally. Now, Herb is still trying to establish himself as a solo […]
WINNER (no distrib): Yes, this sounds familiar. Last year, HBO aired Tina Satter’s Reality, which told the story of the young jailed NSA leaker Reality Winner, and now filmmaker Susanna Fogel has taken the other half of that memorable name for her version of the tale. (The Reality title was more evocative.) Their approaches […]