THE MORTAL INSTRUMENTS: CITY OF BONES –  Not Even For Free –  An Incoherent Compendium of YA Tropes THE MORTAL INSTRUMENTS: CITY OF BONES isn’t so much a movie as it is a mash-up.  They’re all here, crammed into 130 minutes of screen time–Twilight and Harry Potter and Buffy and True Blood and even […]

  DARK SHADOWS:  Watch it At Home – Loving Detail Isn’t Enough   DARK SHADOWS is one of the most confounding big-budget movies of recent years.  When Tim Burton (and his muse, Johnny Depp, one of the film’s producers as well as its star) announced that their next project would be a revisit to the […]

  THE FIVE-YEAR ENGAGEMENT:  Watch It At Home – If Only The Engagement Were A Little Shorter…   Judd Apatow, as both director (The 40=Year Old Virgin, Knocked Up) and producer (Bridesmaids, Superbad, Pineapple Express, TV’s new Girls) has brought a tremendous amount of first-class comedy to large and small screens in recent years.  But […]

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that set critical hearts aflutter, but they can be worthwhile all the same.  That’s the case with the likable Juliet, Naked, which continues Nick […]

  SIDE EFFECTS:  Watch It On TV – Soderbergh’s Final Big-Screen Film (For Now) Isn’t His Best Steven Soderbergh’s announcement that with SIDE EFFECTS, his career as a director of movies produced to play in theaters has–at least for now–come to an end is sad news for moviegovers.  (Soderbergh still has an HBO biography of […]

  It takes about an hour, but Nicholas McCarthy’s THE PACT, which premiered in the Park City At Midnight section at Sundance, eventually turns out to have a neat twist up its sleeve, one that switches the movie from haunted house horror to an entirely different subgenre of thriller.  And after that, a solid reel […]

      SILENT HOUSE:  Watch It At Home – A Curiosity   SILENT HOUSE isn’t the first feature-length film to provide the illusion that it’s all been shot in a single continuous take.  The most famous was Hitchcock’s Rope, but in his era, it was technologically impossible to actually shoot for 90 minutes straight, […]

  THE SURVIVOR (no distrib):  So many films and television productions have tackled the subject of the Holocaust over the decades that it takes real effort to break through with a story that feels fresh.  Barry Levinson’s The Survivor is his strongest film in years, and it manages to have an impact.  The script by […]