PETERLOO (Amazon – November 9):  Not so much a movie as an illustrated historical recitation.  Mike Leigh’s film concerns the brutal 1819 government militia attack on civilians listening to a public address at St. Peter’s Field in Manchester, England, which came to be known as “Peterloo” because the bloodshed was likened to the then-recent […]

> Worth A Ticket:  A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season.   It was greeted rapturously at the Toronto Film Festival in September 2010, and the US distribution rights were acquired by Harvey Weinstein; Ben Stiller signed […]

> Watch It At Home:  The God of Thunder Musters a Tinny Roar. Put it this way:  the new superhero epic THOR cost something like $150M to produce, required the diligent services of hundreds of professionals over a period of 2 years, is being presented with all the trappings of IMAX, 3D and super-stereo, and […]

> The fundamental problem with LAY THE FAVORITE, Stephen Frears’ new film that premiered last night at Sundance, is that it’s made by people who seem to have little if any interest in gambling. And since this is a movie about the thrill and especially the business of gambling, that means they don’t have any […]

> Here are capsule summaries of all this year’s SHOWBUZZDAILY Toronto Film Festival reviews, arranged more or less in order of preference.  Click on each title for the full review, and the complete list of all the reviews is here.  SHAME:  Audiences who go to the new film by Steve McQueen (not that one) for […]

> If you were going to describe the films of Terence Davies (Distant Voices, Still Lives, The Long Day Closes, The House of Mirth) in one word, that word would not be “dynamic.”  Or “kinetic.”  Or, well, “exciting.”  Davies directs stately tableaux, impressive and sometimes moving, but rooted in nostalgia and regret. Which is why […]

  PROFESSOR MARSTON AND THE WONDER WOMEN (Annapurna – Oct. 13):  In the hothouse of a film festival, movies that are unrelated inevitably begin to collide with each other in the viewer’s mind.  So it’s difficult, in a festival that’s given us the extraordinary Disobedience, to give similar weight to Angela Robinson’s much frothier and thinner […]

    STRAW DOGS:  Watch It At Home – Pointless In Every Way   Forget about the artistic comparisons, the insult to film history, and the lack of respect to a great filmmaker no longer with us.  There’s not even a commercial reason to remake Sam Peckinpah’s 1971 STRAW DOGS.  The title is virtually valueless […]