After 40 years of SATURDAY NIGHT LIVE, it’s fair to say that every season is uneven, and so is every episode.  Although it’s generally true that installments hosted by former cast members (this season it was Bill Hader) have the advantage of ready-made comfort zones for the writers and cast, and that hosts with […]

  At the close of its 6th season, THE VAMPIRE DIARIES finds itself at a crossroads.  The ratings are way down, and for the first time since it premiered, the series isn’t one of CW’s biggest hits, but just a mid-range performer.  Viewers didn’t seem to respond to the witch-centric narrative of the season, or […]

  Watching Shonda Rhimes’ SCANDAL has more than once been likened to an addiction, and as with a drug, the danger is that users will build up a tolerance over time, requiring more and more to achieve the same high.  In the case of Scandal, that high is from endless, crazy, jaw-dropping, WTF plot twists.  […]

  GREY’S ANATOMY is no longer Shonda Rhimes’ brightest, shiniest toy, but in a way her skills as a producer are most evident in the way that her first hit hums along, now in its 2d decade on the air.  That’s incredibly difficult for a serialized drama, especially one that started off as being about […]

  Hit dramas rarely go south as quickly as THE BLACKLIST.  In November 2013 it was earning a 3.0 rating, one of the highest rated 10PM shows on TV.  In May 2014 it was still at 2.6.  In November 2014 it was almost as strong at 2.5.  2 weeks ago?  A new series low of […]

  NASHVILLE doesn’t make more than a gesture these days toward having very much to say about the music industry, or the place of country music in American culture.  It’s simply a soap, and often an effective one; with this week’s renewal, it’s reached the promised land of a 4th season on the air, buffered […]

  The Season 2 finale of Agents of SHIELD was the show trying its very, very hardest–and still not hitting the mark.  A great deal of work has gone into rescuing Agents since it plummeted from the heights of its enormous hype-driven premiere in Fall 2013, and it’s certainly a better series now than it […]

  As we noted yesterday in writing about The Good Wife, churning out 22 hours per season is a tough challenge for any serialized network drama, especially one that concentrates on one central story, unlike, say the multiple plots of a show like Nashville.  The Originals would have fared better with a cable-sized 10 or […]