SIDNEY HALL (no distrib):  Shawn Christensen’s literary drama (written with Jason Dolan) is initially engaging as a modern-day sort of J.D. Salinger story, told simultaneously across three time periods, with Sidney Hall (Logan Lerman throughout) presented as an arrogant but troubled teen, an acclaimed novelist, and a middle-aged man who’s run away from the […]

  It’s been fascinating to watch AMERICAN GODS play out side-by-side with David Lynch’s rebooted Twin Peaks on the past several Sunday nights, because Bryan Fuller (who created the TV version of Gods with Michael Green from Neil Gaiman’s novel) may be this generation’s most overtly Lynchian TV artist.  Fuller and Lynch are both besotted […]

  AMERICAN HORROR STORY:  CULT – Tuesday 10PM on FX We find ourselves in boom times for killer clowns.  They’re the main vehicles for terror in the new installment of FX’s Ryan Murphy anthology AMERICAN HORROR STORY, dubbed CULT (including a cameo from Freak Show‘s Twisty), and one of the granddaddies of the genre, Stephen King’s […]

  ATLANTA:  Wednesday 10PM on FX Season 1 of Donald Glover’s FX series ATLANTA was, among other things, a show that went in so many directions after its premiere that judging it from its opening half-hour proved to be foolhardy.  The same may very well be true for Season 2, so we’ll deal briefly with […]

  REVERIE:  Wednesday 10PM on NBC In recent seasons, original summer dramas on the broadcast networks have tended to cluster in two varieties:  straightforward procedurals like Rookie Blue and The Night Shift, and fantasy-thrillers like Under the Dome and Extant.  NBC’s new REVERIE, created by Extant‘s Mickey Fisher, tries to mix the genres, with indifferent […]

  BOY ERASED (Focus/Universal – November 2):  Joel Edgerton’s film is the second of the year concerning gay conversion therapy, and its tone is far more conventional than The Miseducation of Cameron Post.  Lucas Hedges plays Jared Eamons (this is a fictionalized version of a true story), son of southern pastor Marshall (Russell Crowe) and […]

  AFTER THE WEDDING (no distrib):  The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawork and lighting that imparted a sense of immediacy to the drama.  Bart Freundlich’s English-language remake dispenses with that style entirely.  […]

  FX’s FOSSE/VERDON was a triumph of narrowcasting, a showbiz hall of mirrors about a showbiz hall of mirrors.  That was never more so than in its final installment, where it met its meta-destiny by depicting Bob Fosse (Sam Rockwell) depicting a just-slightly fantasized version of his own life and death in All That Jazz.  […]