>Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and rescored, and in some cases even recast or reshot. So these critiques shouldn’t be taken as full reviews, but rather as a guide to the general style and content of the new […]
> AMERICAN HORROR STORY – Wednesdays 10PM on FX – Potential DVR Alert The first inkling of just how deranged AMERICAN HORROR STORY is going to be comes with one of the early “normal” scenes. The location isn’t the haunted house, so we’re away from the girl with Down’s Syndrome who tells people they’re going […]
> Last night ABC’s REVENGE became the first of the network serialized dramas to return from its long midseson hiatus. Let’s see how the show managed its 2012 arrival. WHERE WE LEFT OFF: Emily Thorne (Emily VanCamp), who’s really Amanda Clarks, continued her plot to bring down the super-rich Grayson family, headed by matriarch Victoria […]
> There’s a principled discussion to be had about whether the Sundance Film Festival should be featuring movies that are essentially low-budget Hollywood entertainments made outside the studio system. But that discussion fades into irrelevance when the result is as hilarious and accomplished as FOR A GOOD TIME, CALL…, which premiered tonight. Directed by first-time […]
> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]
> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to […]
PROJECT NIM: Worth A Ticket – If You Can Stand It At first I wondered why on earth Fox Searchlight hadn’t grabbed James Marsh’s documentary PROJECT NIM at Sundance, to serve as an unofficial prequel to Big Fox’s release of Rise of the Planet of the Apes next month. It seemed like a […]
IN TIME: Watch It At Home – The Clock Never Really Starts Ticking Andrew Niccol wants to be a populist moviemaker of ideas, but he just doesn’t have the knack. Niccol’s ideas are genuinely impressive: he’s the man who wrote The Truman Show and Gattaca, and less successfully, S1mOne and Lord of War. […]